| Mad Men | 
 enlarge | Director: Alan Taylor
Actors: Candice Cunningham, Emelle, Kiernan Shipka, January Jones
Studio: Lions Gate Home Entertainment
Category: DVD
List Price: £29.99
Buy New: £13.63
You Save: £16.36 (55%)
New (5) Used (1) from £13.63
Avg. Customer Rating:  17 reviews
Sales Rank: 163
Format: Pal
Languages: English (Subtitles For The Hearing Impaired), English (Original Language)
Rating: Suitable for 15 years and over
Running Time: 592 minutes
Number Of Items: 3
Shipping Weight (lbs): 0.2
Dimensions (in): 7.1 x 5.4 x 0.6
EAN: 5060052415080
ASIN: B0014XVTIY
Theatrical Release Date: 2007
Release Date: June 30, 2008
Availability: Usually dispatched within 1-2 business days
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| Customer Reviews: Read 12 more reviews...
 Yawn; better spend time watching a series where something happens November 23, 2008
1 out of 5 found this review helpful
After seeing that this won an Emmy for best dramatic series, I decided to buy it. I hadn't seen it on TV, and watch most series on DVD. I got through 3 1/2 episodes, and, with nothing at all happening of any interest - aside from all the blatant attempts to constantly remind the viewer that it was 1960 - I gave up. I don't see the point; the characters are cardboard cutouts, the dialog is flat, the storyline, or what little there is, is uninteresting. Others like it, and it's beyond me why.
 Fantastic writing, sharp acting, and attention to detail October 21, 2008
3 out of 3 found this review helpful
Forget the Wire, forget the Sopranos, forget the West Wing, all of which have been called 'the greatest TV show in history'. The true deserving winner of that mantel is Mad Men. Created and produced by one of the lead writers of the Sopranos (who incidentally was hired on the back of his spec script for Mad Men), the series, unsurprisingly, holds the same preoccupation of that show; the seedy underside of the American dream.
The true glory of this show is also what may put some viewers off. Everything is underplayed, every scene cariied in small moments which betray the truth of the individual characters. Everything in this show exists in sub-text. It is perhaps the first TV show ever that does not feel the need to spoon-feed its audience with exposition and big dramatic pay-offs. However, this is not to say that the writing lacks pace, structure, tension or emotion, it has all in abundence. As a writer myself I am stunned by the construction that exists in the show. Some viewers, as a result, may find things slow moving, however, in truth it is not, it just has greater depth. If you care about drama, if you want to see writing at its peak, watch this show, you won't be disappointed.
Seen it? Mad not to. October 12, 2008
2 out of 2 found this review helpful
Once upon a time, American imports were prime time television in the UK. Far more watchable, by and large, than home-grown programming. The difference is, only the better US series make it to the UK. And they still do.
From House to West Wing, Damages to NYPD Blue, Battlestar Galactica to The Wire. These are the ones that came to mind without any effort at all. Any UK programmes that can compete with these are few, far between and shown for about six episodes at a time.
Problem is, a powerful lobby exists that bemoans any US shows airring at the most watched times. So, they are either shown on minority channels which still only a minority can receive or at incredibly late or early hours. Which brings us to Mad Men, which is known by so few because broadcasting times are in the wee small hours or on BBC4.
The acting is superb, the writing is very sharp and subtle and the production values are top notch. Is it for everyone? No. Some will think it too slow or lacking in punch. But unlike Eastenders or Coronation Street, this has the thread of realism running through every scene. Not being about in Sixties America, I can still empathise far more with that than the thoughtless soap based not a few dozen miles from where I live.
Or would someone rather watch a full DVD series of Casualty. No? Thought not. The amazing thing is, a Channel 5 executive can realise what the BBC can't. Who says the licence fee is wasted or that the mob at Broadcasting House are overpaid and under talented! Mad Men is believable and has to be seen to be believed. Televison should always be this good. The pity is that it isn't.
Period Drama - American Style! October 10, 2008
4 out of 6 found this review helpful
I'm not hugely fond of giving five star reviews - reviewers on user-content-driven sites like this site tend to over-apply it for (frankly) mediocre content, thus diluting its meaning: if the majority of items reviewed are five star-rated, what about the really good stuff, 6 stars perhaps? Top ratings should only be applied to outstanding work; conversely, only the utterly abominable should receive the very lowest scores. With all that in mind, I believe the AMC series "Mad Men" to be one of the truly exceptional - a textbook example of how to achieve excellence through quality writing, without recourse to overly-spectacular special effects, excessive violence or gimmicky high-concepts (take note, makers of Heroes).
Mad Men is a period series set in 1960, in the bustling office of fictional New York advertising firm Sterling-Cooper (the "Mad" in the title stemming from Madison Avenue, the hub of the US Advertising Industry) in an America on the verge of massive social and political change. It follows a group of characters through their daily lives as they deal with backstabbing colleagues, overbearing bosses, stagnating marriages, illicit affairs, midlife crises and philosophical ennui. Unlike a lot of the current crop of American drama series,"Mad Men" is all about people and their relationships - there aren't any moments of ludicrous action, no car crashes or explosions, no needless recourse to supernatural deus ex machina, no yawnsome " (gulp) put - the - gun... down!" scenes - just pure, unadulterated, grown-up personal drama. Each character, from the shadowy, charismatic Don Draper (a nuanced performance from John Hamm) to the naive, idealistic Peggy Olson, is finely drawn with subtle aspects of light and shade - you won't find two-dimensional "goodies" and "baddies" here, just believable, falliable people. Equally of note is the superbly authentic production design (which surely takes its cues from the cinema) - modernist sets, mostly static camerawork (how refreshing that the shaky-shaky CSI-style camerawork is conspicuously absent) and the evocative use of period music provides an environment to get lost in.
The period setting allows a certain degree of guilty nostalgia. To a modern audience used to a contemporary culture tempered by bland political correctness, the unabashed retrograde attitudes typical of the time (casual sexism and racism, macho posturing, copious amounts of on-screen smoking and drinking) are deplorable and yet, shamefully alluring, particularly for male viewers. It's hard to imagine such dinosaur attitudes existing today so openly. Indeed, part of the appeal of "Mad Men" is the prospect of future seasons exploring how the gathering political whirlwind of the 60s blows through Sterling Cooper's offices. The subtle hints peppered throughout Season One (references to VW's seminal "Think Small" campaign, the proto-hippie beatniks Draper encounters, the scandalising divorcee Helen Bishop from down the street) suggest a world teetering on the edge of revolution, where the certainties of Eisenhower devolve into the self-doubt and instability of the Kennedy and post-Kennedy eras. It will be fascinating to see which characters thrive and which will fall by the wayside. How will they deal with challenges like the conflict in Vietnam, the Pill, civil rights or the counter-culture movement?
Who will this series appeal to? Well, viewers fed on a diet of sappy whimsy like Ally McBeal or Ugly Betty will despair of the dark tones and the lack of immediately likeable characters. 24 action junkies will have difficulty paying attention to its slow tempo (although, the series has nothing on the glacial pacing of LOST) and will be confused at the lack of obvious antagonists. At the same time, "Mad Men" thankfully avoids the corny moralising and overly-smart dialogue of the likes of The West Wing or the short-lived Studio 60 On The Sunset Strip: in short this could be the best series in recent memory to appear on the small screen. As such, I have no hesitation is awarding this the maximum five star rating. Roll on Season Two!
 A stunning series! August 29, 2008
2 out of 2 found this review helpful
What a stunning series! The ad men of Madison Avenue portrayed here are not people one would expect to like, given their flaws and cruelties, but this is subtle television, which draws you in and makes you want to know more about them and even sympathise with their secrets and lies.
They lead lives of wantonness and drunken chauvinism which hurts all around them. It hurts to watch the submissiveness of most of the women in the series, but change is always in the air - JFK's election year haunts much of this first series - and it's that sense of impending change that makes one want, need even, to keep watching.
Mad Men is a fascinating, thoughtful and taut portrayal of how attitudes and perceptions changed in the 1960s. The production values are sumptuous, the acting and writing superb. This deserves a much better slot on the BBC when the second series is aired. In the meantime, I cannot recommend the DVDs highly enough!
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