| The RSC Shakespeare: The Complete Works | 
 enlarge | Author: William Shakespeare
Creators: Jonathan Bate, Eric Rasmussen
Publisher: Palgrave Macmillan
Category: Book
List Price: £35.00
Buy New: £21.49
You Save: £13.51 (39%)
New (30) Used (5) from £21.49
Avg. Customer Rating:  10 reviews
Sales Rank: 13559
Media: Hardcover
Pages: 2576
Shipping Weight (lbs): 5.3
Dimensions (in): 9.5 x 7.3 x 3.2
ISBN: 0230003508
EAN: 9780230003507
ASIN: 0230003508
Publication Date: April 19, 2007
Availability: Usually dispatched within 1-2 business days
Condition: Brand New - Please allow 1-3 working days for delivery. UK Seller
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| Customer Reviews: Read 5 more reviews...
 Great, but flawed October 11, 2008
I don't want to rain on the parade, but, while this is a truly great book because of its content, the production of the book is flawed enough to be problematic. The paper is much too thin, making it hard, at times, to read the text. This is especially difficult for the introductory essays, which run across the entire page width. (The text of the plays themselves is in single columns, not double, as often in complete Shakespeare editions.) So if you buy this sight unseen, as I did, be aware that your reading experience may not be optimal.
 A beautiful book September 15, 2008
This is a gorgeous book to hold. The print quality is just right, and the all time master of the English language shines through. The footnotes don't alway's hit the right balance, between excess and shortage, but are never intrusive. It is still amazing to me that this man, from so long ago, in such a different age and circumstance, without the advantages we enjoy, should still stand unparalleled as the greatest writer in English with depth, insight and poetry dripping constantly from the mouths of his dramatic creations. If you baulk at the price, by all means enjoy a cheaper copy, there'll be some in your nearby charity shop, but this edition is well worth it to me.
All the world and more is here August 19, 2008
3 out of 3 found this review helpful
In his foreword to this magnificent edition, Michael Boyd reminds us that Shakespeare's plays were originally scripts for companies of actors and "not written as literature" to be read in an armchair at home. Performance is what matters, and the reading of the text is always going to be an incomplete experience in comparison. So why bother? For me, that incompleteness is still going to be more rewarding than reading most books ever published, but the real payoff comes next time I see the play performed, when I'm that little bit more prepared, that little bit less confused by the language, and that little bit more ready to appreciate a great performance, whether it's by a star actor on a national stage or a complete unknown at a fringe venue. This edition works in so many ways to make our experience of Shakespeare more complete.
The General Introduction by Jonathan Bate covers a lot of familiar territory - Shakespeare's life in Stratford, his early reputation as the "upstart crow", his rise to preeminence as scriptwriter for and shareholder in the Lord Chamberlain's Men, and so on, and the problem for any writer on Shakespeare is how to stitch our patchwork knowledge into a finer garment, how to find a new angle without resorting to arcane questions that are of scholarly interest only. Bate's command of the material and his choice of detail, his straightforward style that never fakes meaning with jargon, and the consistent perspective that emphasizes performance, all work towards opening up these million or so words. There is a refreshing emphasis on just how much we do know, contradicting the common view trotted out even in the RSC's own programmes that "very little is known" of his life. Bate acknowledges that we "will never know what drove his ambition" but Shakespeare is far from being the cipher so beloved of anti-Stratfordians.
The brief introductory essays to each play continue in this elegant way by avoiding stale opinion on the one hand and abstruse academic innovation on the other. They are a model of clarity and lucidity, as though he instinctively realizes that since reading the plays itself involves dealing with multiply-layered words he won't add to your burden. Much Ado, for example, begins "with the end of a war" and moves from combat to courtship. The change of mood is abrupt with the interruption of Hero and Claudio's wedding, and Bate captures this in language we can all understand: "Its atmosphere has been all holiday. No more." There is a crispness that makes me feel I'm learning something new even when it comes to the more familiar plays. As for a less well known play like Timon, he has the knack of drawing you in with a surprising fact: it's unique in that no one in the play "has a blood relationship to anyone else". A detail like this is a fascinating bit of fuel to get you up and running (or at least walking with determination!).
Like the Bible, the plays present textual problems in that no original manuscripts survive and there are different versions of many passages. Decisions have to be made, the key one for this edition being to base it on the 1623 First Folio. This "solves" at a stroke the difficult problem of how best to combine the different versions into one. Textual questions (often fascinating in their own right) over Quarto and Folio readings are gathered together at the end of each play, in contrast to, for example, the Arden editions, which can often have such long footnotes that there is only space for a couple of lines of the play, which is always to get the balance wrong. There is no such intrusion here: on any given page it is clear what takes precedence, the play itself, laid out in single column with all the elements working efficiently around it.
Notes are handled in small type at the foot of the page, each word or phrase repeated in bold following the line number (so avoiding markers in the text). These usually give one or more meanings, the majority of which are helpful. Only rarely is there a sign of dumbing down, as when "Florentine" is glossed as a "person from the city of Florence, in north-west Italy". More fascinating and subversive of polite society is the anti-Bowdlerization at work. Lewd meanings are unashamedly (and in surprising numbers) laid bare. Mistress Quickly's complaint that her "case is open to the world" causes no titters from most audiences, who are innocent in their ignorance of Shakespeare's appetite for filth. Parents and teachers be warned: keep this out of reach of your children - it's full of sex and knife crime and should on no account be allowed in the classroom!
Hamlet admires the travelling players who have returned to Elsinore as "the abstracts and brief chronicles of the time". For anyone who's sat through a seemingly interminable production of Shakespeare, it may seem incredible that there's anything brief about his plays, but for most of the original audience, wanting to be told stories of their nation's history, Holinshed's massive volumes were never an option and an afternoon on the South Bank was a no-brainer. Unlike that original theatre-going public, we're lucky to have his plays to read and study outside the playhouse, but we should not forget where it all started.
I've read enough of the two thousand pages to give it five stars, which is not a judgement on Shakespeare (he hardly needs my endorsement) but on how he's been packaged. Most wrappers get ripped off and thrown away: this one is made of finer material and will serve anyone with even a smattering of interest in our greatest writer. Just don't expect to read it on the bus.
Ten star review June 1, 2008
3 out of 3 found this review helpful
I had this given as a birthday presant and all i can say is WOW.I have only recently got into Shakespeare and have seen a couple of the plays already and i just wanted to enchance my viewing of them,as i,m going to see four this year.And this book dose it.Its brilliantly put together with every thing W.S. wrote and more I think!.If could put TEN stars at the top i would.
 The right 'Shakespeare Complete Works' for the right person... May 27, 2008
6 out of 6 found this review helpful
One of the features that is most attractive about this latest edition of Shakespeare's plays is its layout. The text is of a pleasantly large size, and glosses of the meanings of certain words is easy to access at the bottom of the page. The introductions are great - although in other editions there are more extensive and/or scholarly introductions to the plays, these are well written, and are still very readable if you are about to read the play for the first time. The style of writing is pleasantly unassuming in that respect. So for people reading Shakespeare for pleasure I would highly recommend this book.
However, at points in my degree I've slightly regretted my choice, for a number of reasons. Firstly, the paper, to allow the book to be not too thick whilst having text occurring in only one column per page, must be very thin. As a consequence of this it tends to wrinkle slightly if you put your fingers on it for too long. The Riverside Shakespeare solves this problem because it has text in two columns down the page, (it still has glosses of difficult words at the bottom of the page) and this allows the paper to be slightly thicker, and so you are not worried that you are going to tear it.
The text itself is pretty good, although it sometimes differs quite strongly from the Arden text. This is not a fault in itself, but as the Arden text is the major editing of our time, this can sometimes cause slight problems. Of course, if you're not doing a degree when you need to read literature about the texts then this will not apply to you. An example would be the play 'Hamlet', where the quarto text is a lot longer than the folio text, and this text sticks to the folio text. This is okay, but the Norton edition, I think, gets round this really well by putting the bits which are in the quarto but not in the folio, in their place but in italics. That is really useful.
Anyhow, unless your hoping to study shakespeare at a advanced level this text is fine. It is really beautifully presented, and easy to access.
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