Anyone who has ever seen The Maltese Falcon or Sunset Boulevard will recognize that the film noir style is much more than just a black-and-white movie. The harsh contrasts of light and dark subtly reinforce the emotion of the actors and actresses and jab us with their intensity. The shadows deliberately evoke a sense of fate or emotional conflict that help us to understand the story better. Patterns of bars, shadows, and mirrors suggest the rest of the plot. Although I had always felt these atmospheric effects and loved them in noir films, I could not articulate how they are accomplished. In this remarkable book, you will examine 172 photographs and supporting essays that will give you both a language for and a greater appreciation of the style's elements.
The book is connected to noir's origins as well as its future in the neo-noir of the 1990s. I found it very helpful to see the kind of images that inspired the noir directors and lighting experts to create the incredible effects.
The authors know their subject very well, and have selected outstanding examples for your pleasure. The photographs are stunning, and I found them simply irresistible. Photographs were used rather than film frames because photographs reproduce better, but most of the stills were actually used in a movie. Unless you are a film student, you will probably not have seen many of these before. Focusing on one or two actors and actresses in most cases, you will see much of the best of the style. I came away much more impressed with the acting in these scenes as I better understood the subtle conflicts that were explained in the essays to help me see how a scene often sets up to express four or five different ideas.
The types of scenes were grouped into chapters and subchapters that made the styles easier to understand, as you peruse several examples . . . the better to see the similarities and differences. One section is on Night and the City, another on Femme Fatales, a third on portraying dee psychological problems in the characters, a fourth on the reckless moment that dooms the characters, and a fifth on the use of mirrors and other doppelganger devices to exhibit divisions in motives and personality. There is an introductory chapter on the origins of noir, and a concluding one on neo-noir that shows the scenes that inspired the new noir movies of the 1990s (such as the Silence of the Lambs).
You might think that it would be depressing looking at all of these doomed, conflicted people. Actually, I had the opposite feeling, becoming more alive as I interacted with their intensity. Most of the men are very handsome, and the women georgeous so there is a baseline of physical beauty that is very appealing. This draws us into feeling more for them, as they face their doom. If you love movies, I suspect you'll have the same reaction.
Having become more familiar with the symbolism and methods of noir, you should begin to notice cases where television, movies, and advertising today subtly work to influence your mood. This should make you more aware of how your emotions can be manipulated and make you more likely to overcome inappropriate influences on your actions. For more on that subject, read Robert Cialdini's book, Influence. Think for yourself, and enjoy!
