|
| Melville: His World and Work | 
| Author: Andrew Delbanco
Publisher: Vintage
Category: Book
List Price: $16.00
Buy New: $8.50
You Save: $7.50 (47%)
New (20) Collectible (1) from $8.50
Avg. Customer Rating:  10 reviews
Sales Rank: 283857
Media: Paperback
Number Of Items: 1
Pages: 448
Shipping Weight (lbs): 0.8
Dimensions (in): 7.9 x 5 x 1
ISBN: 0375702970
Dewey Decimal Number: 810
EAN: 9780375702976
ASIN: 0375702970
Publication Date: September 12, 2006
Availability: Usually ships in 1-2 business days
|
| Also Available In:
|
| Similar Items:
|
| Editorial Reviews:
Product Description
If Dickens was nineteenth-century London personified, Herman Melville was the quintessential American. With a historian’s perspective and a critic’s insight, award-winning author Andrew Delbanco marvelously demonstrates that Melville was very much a man of his era and that he recorded — in his books, letters, and marginalia; and in conversations with friends like Nathaniel Hawthorne and with his literary cronies in Manhattan — an incomparable chapter of American history. From the bawdy storytelling of Typee to the spiritual preoccupations building up to and beyond Moby Dick, Delbanco brilliantly illuminates Melville’s life and work, and his crucial role as a man of American letters.
|
| Customer Reviews: Read 5 more reviews...
 Quest for the private Melville has usually led to a dead end November 25, 2008
2 out of 5 found this review helpful
After reading the first 2 of the 3 volumes of the Library of America Edition of Melville, and before attacking things like Pierre, I felt like trying to know more about the background of this strange man Melville. The Delbanco bio has some advantages over others: it is fairly recent (I still remember reading the reviews when it came out) and it is fairly concise, eg when compared to the monumental 2 volume H.Parker bio.
Delbanco tells us that primary biographic material on HM is rather rare, that there are long phases of his life without solid information, that few letters and notes have been preserved. A shame, but to some extent maybe also a blessing. I am not always sure that overexploitation of personal information leads far. The production of secondary literature is full of questionable results.
Delbanco tells us of HM's world and work, according to the subtitle. He does that in an entirely satisfactory and convincing manner, iow, this bio is worth it if you are interested in HM without knowing all that much about him.
Do we need to know an author's world to understand his work? Some say no, eg my primary hero Nabokov claims that works of art should stand alone. Right, yes, they should; but that doesn't mean that they have grown in emtpy space, nor that understanding their environmment must be useless. As often, beware of absolutes: excessive social interpretation is as wrong as total abstraction from the world.
The author's life is not essential for his work's evaluation, but it is often needed to help us understand it.
Always useful is the debunking of myths. One of the myths about HM is that he stopped writing when he became a New York customs officer, after years of commercial failures of his published prose works. Not so, he continued writing, but produced mostly poetry, which has not been re-surrected along with his prose when the renaissance happened in the 20s.
Delbanco tries to trace private life events in HM's writing. There are assumptions of an unhappy marriage, hints at alcohol, at possible domestic violence, suspicions of madness. The family's life in New York from the 60s to the end was mostly a period of darkness, culminating in the death of both sons, one by suicide at 18, the other 20 years later from a disease after years of failure to find a footing. Melville seems to have lived this long period like an internal exile.
Now I feel ready to attack Pierre (which seems to be the basis for a strong school of thought which claims that HM was actually gay. Or incestuous. There is an oppressive mother and a frigid wife and a sexy sister.) Let's see.
An afterthought: a strange parallell to J.Joyce is the family situation of the young man. Not because of excessive religion, after all Melville's family was not Irish, but properly Waspish and Dutch, but because of the experience of social decline. A father who fails in his business projects takes his wife and children down a social ladder; but while JJ's family moved to ever poorer lodgings and locations, HM's kept up style and pretensions until disaster struck. See Redburn.
 Andrew Delbanco' short biography of Herman Melville is a good introduction to the novelist March 7, 2008
2 out of 2 found this review helpful
Herman Melville (1819-1891) was a strange chap. In this new biography by Professor Andrew Delbanco we go in search of the Great White Dead Male Author of American literature. Delbanco relates the known facts of the New York's author's sad life but is best at exegeting his great works in understandable language for the student or Melvillian fan.
Melville's father Allen was a failed businessman and he was dominated by his mother Marie. The family suffered genteel poverty in upstate New York prior to moving to New York City. Melville shipped out as a seaman sailing to the South Seas and seeing a good deal of London and other European ports. He returned home to marry Elizabeth Shaw the daughter of the famous Lemuel Shaw who was a noted judge in Boston. Melville had four children, two girls and two boys. The oldest boy Malcolm committed suicide at 18 while the second son Stanwick died young. Melville never got over these horrible deaths. His relationship with his wife Elizabeth was always rocky. At times he may have beaten her. The couple did remain wed until Herman's death. The author was rejected by the literary community and ended his life in obscurity as a Custom Inspector on the New York City docks. He had been friends with Nathaniel Hawthorne to whom he dedicated Moby Dick but the friendship waned.
Melville's greatest work is the monumental "Moby Dick" written in 1850 which had only modest success with the public. Delbanco is insightful in exploring the novel's themes. Melville was opposed to slavery and may have based Captain Ahab on the South Carolina defender of slavery John C. Calhoun. Other literary sources for Ahab include the Devil. Though a non-believer Melville used countless biblical allusions in his novel. His prose is rich with allusion and metaphor heralding the despair and existentialistic nothingness of life so prominent among great twentieth century masters as James Joyce and T.S. Eliot.
Dr. Delbanco also examines in detail such other Melville works as:
Typee, Omoo, Pierre or the Ambiguities, Clarel his poem of the Holy Land and his final short but classic novella "Billy Budd." Melville wrote great short stories such as "Benito Cerito" which explores slavery and black-white relations. He also wrote two novels based on his experiences as a sailor: Redburn and White-Jacket.
Delbanco is good at showing us how Melville related to the big problem of slavery in ante-bellum society. He was a reclusive man who may have been bipolar. Melville died poor and obscure with his novels not becoming popular until their renaissance in the 1920s. Today he is a staple of college courses on American Literature.
Anyone who turns to this book with the expectation that it will be a
chronological accounting of Melville's life will be disappointed. Anyone who reads it to understand Melville's major themes and personality will be rewarded. This is a good introduction to a great and hard to understand American literary giant.
Whale of a Book July 22, 2007
3 out of 3 found this review helpful
Is there anything quite like a great biography? A great novel, you say, and I'd agree, but where are they? Meanwhile, we have these marvelous pieces of writing: Ellmann's biography of Joyce, Edel's biography of James, Holroyd on Shaw. This is not a multi-volumed immortal masterpiece but it has all of the characteristics of such a work, save exhaustiveness. This is an introduction, really, more than a complete life, but it serves its purpose as well as can be imagined. The prose style is inviting and easy, the illustrations amusing and pointedly relevant and revealing. The author's point of view is strikingly original. He begins not with Melville's birth, but with his reputation, from his death to the present. American's do not have a great dramatist, so we have made the drama of Melville's life a kind of literary drama surrounding a masterpiece, "Moby Dick." Those who know and love it see it as one of the great pieces of literature of all time. Melville is cast in the role of the likable genius, the sympathetic artist, the neglected and scorned master of American prose. We've been taught to love him, as we have been instructed to hate Hemingway and other dead white male authors. My professor said that Melville wasn't worth reading and recommended in its stead a collection of slave testimony and the lost poems of a female mill worker. I ventured that perhaps I could read him myself and make up my own mind. We live in an odd age that resents greatness. Let's applaud Delbanco's effort to set the record straight.
Delbanco skillfully brings the world of Melville to life January 6, 2007
5 out of 5 found this review helpful
This biography of Melville is as balanced, accessible, and thoroughly entertaining as a biography of a literary figure can get while still being considered "serious." Delbanco has a great skills as a writer himself, skillfully juggling the story of Melville's life, critical discussions of his writing, and finally the social and historical context of the works.
The discussions of the books are excellent, particularly Delbanco's readings of the novels Moby Dick, Typee, and Pierre. But where this biography particularly stands out is the intermeshing the books with aspects of 19th century American literary culture. There are, for instance, interesting discussions of the dominance of English publishing houses, of copyright issues, of publishing in general. Delbanco situates Melville's work before a backdrop of a nation in transition (for example the story "Benito Cereno" is published in midst of the debate about the expansion of slavery into Kansas territory), and before a backdrop of the city of New York under transition too.
Finally, Delbanco discusses the unusual trajectory of Melville's own career and reputation - from almost being forgotten at the time of his death to the towering position he holds in American letters today.
This biography is a great summary of Melville's life, and also in a broader sense, of 19th century literary culture.
A New Study of Herman Melville February 27, 2006
26 out of 28 found this review helpful
Herman Melville (1819 -- 1893) is one of the writers I have returned to again and again over the course of years. Thus, I was gratified to receive this new book by Andrew Delbanco, "Melville: His Life and Work" (2005) as a gift and to have the opportunity to read it, think again about Melville, and share my thoughts on this site with other readers. Delbanco is Levi Professor in the Humanities and Director of American Studies at Columbia University. He has published widely on American literature, including a book titled "Required Reading: why our American Classics matter now." Before reading Professor Delbanco's Melville study, I also read the lengthy review by Frederick Crews in the December 1, 2005, "New York Review" which is both laudatory and critical.
The literature on Melville continues to grow, and in recent years biographies have been published that are longer and far more detailed than Professor Delbanco's. But Delbanco's study is accessible, engagingly written, and concentrates, as the subtitle to his book implies, in placing Melville in the historical context of Nineteenth Century America, and on the works themselves. I will discuss each of these factors briefly.
As to Nineteenth Century America, Professor Delbanco discusses Melville's roots as the descendant, on both sides of his family, of heroes of the Revolutionary War. He gives a revealing picture of pre-Bellum America and of the seafaring life. He gives a detailed historical discussion, for a literary biography, of the tumults which split the United States and lead to the Civil War, including the War with Mexico, the compromises of 1850, and the Kansas-Nebraska Act of 1854. Professor Delbanco shows how Melville responded to both the literary and political events of his time. He also gives a good, if briefer, treatment of the Civil War and of Melville's life thereafter, as the United States expanded and a crude materialism became dominant. But most vividly, Professor Delbanco gives a picture of New York City, both before and after the Civil War, and argues convincingly for the strong formative influence that the city exerted on Melville's writings.
As to Melville's writings, Professor Delbanco devotes a great deal of space to Melville's four widely-recognized masterpieces: Moby Dick, Bartelby, Benito Cereno, and Billy Budd. He offers textual exposition, compositional background, and a good literary sense of the complexities and ambiguities in each of these works. He offers shorter yet rewarding discussions of several of Melville's more controversial efforts, including Pierre, The Confidence Man, his collection of Civil War Poetry called Battle Pieces, and the long poem Clarel. I think that Delbanco undervalues some of the poetry, particularly Battle Pieces which I have found over the years a provocative literary guide to the Civil War.
The treatment of Melville's life is interrelated well with a study of his works, as Professor Delbanco gives succint discussions of Melville's early years, his decision to go to sea, his marriage, the question of his sexual orientation, the friendship with Nathaniel Hawthorne, his travels and wanderings, the tragic deaths of two of his sons, and the long reclusive years Melville spent as a customs inspector in New York City. We see Melville with all his difficulties and as a great but in his lifetime forgotten writer. Readers interested in a good novelistic portrayal of Melville may wish to read Frederick Busch's "The Night Inspector", to which Professor Delbanco refers.
(...)
I came away from Professor Belbanco's book with the desire to revist some of the Melville works that I have read in the past and, perhaps, to read some of the works that I don't know for the first time. I think it is the purpose of a study such as Delbanco's to return to reader to the words of the author, in this case Melville. Delbanco's book succeeds in doing so admirably.
(...)
|
|
|
Wildlife, nature and the Environment
Sponsored Links
Learn how to get your own Amazon Book shop | |
