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| The Confidence Man (Norton Critical Editions) | 
| Author: Herman Melville
Creators: Hershel Parker, Mark Niemeyer
Publisher: W. W. Norton
Category: Book
List Price: $13.75
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Avg. Customer Rating:  4 reviews
Sales Rank: 178083
Media: Paperback
Edition: 2nd
Number Of Items: 1
Pages: 505
Shipping Weight (lbs): 1.2
Dimensions (in): 8.4 x 5.1 x 1.1
ISBN: 039397927X
Dewey Decimal Number: 813.3
EAN: 9780393979275
ASIN: 039397927X
Publication Date: December 19, 2005
Availability: Usually ships in 1-2 business days
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Product Description
The text of The Confidence-Man reprinted here is again that of the first American edition (1857), slightly corrected. The Second Edition features significantly expanded explanatory annotations, particularly of biblical allusions.
"Contemporary Reviews" includes nineteen commentaries on The Confidence-Man, eight of them new to the Second Edition. Better understood today are the concerted attacks on Melville by, especially, Presbyterian, Congregationalist, and Methodist reviewers.
A new section, "Biographical Overviews," embodies the transformation of knowledge about Melville's life that has occurred over the last three decades. This section provides a wide range of readings of Melville's life by Nathaniel Hawthorne, Dennis Marnon, and Hershel Parker, among others.
"Sources, Backgrounds, and Criticism" is thematically organized to inform readers about movements and social developments central to Melville's America and to this novel, including utopias, cults, cure-alls, Transcendentalism, Indian hating, the Bible, and popular literature.
A Selected Bibliography is also included.
About the Series: No other series of classic texts equals the caliber of the Norton Critical Editions. Each volume combines the most authoritative text available with the comprehensive pedagogical apparatus necessary to appreciate the work fully. Careful editing, first-rate translation, and thorough explanatory annotations allow each text to meet the highest literary standards while remaining accessible to students. Each edition is printed on acid-free paper and every text in the series remains in print. Norton Critical Editions are the choice for excellence in scholarship for students at more than 2,000 universities worldwide.
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| Customer Reviews:
 Vote of no confidence June 29, 2007
2 out of 4 found this review helpful
This, the last Herman Melville novel published during the author's lifetime, is not his best work. It's a great theme -- how confidence is necessary for personal success and a thriving market economy yet subject to abuse -- that could have been dealt with much more succintly. The book could have been 15 to 20 chapters instead of the 45 that it is (although most of the chapters are short). Melville also punishes the readers with many dependent clauses. The great man could certainly have used an editor here.
But it's still Melville thus "The Confidence Man" inevitably sparkles at times. But the suggested time scale makes the book highly improbable. There's no way a single man could pull off so many cons on a single boat trip down the Mississippi River. Had "The Confidence Man" done his "business" during several trips over several years then that would have been credible. But 30-something cons during a single voyage without being detected by the ship's crew? No sale.
Had Melville made things shorter and more believable with a postscript added as to what the Civil War did to American optimism then the book may have become a classic.
For a lesser author "The Confidence Man" would have been a great achievement. But for Melville it pales beside "Moby Dick" and "Billy Budd."
The politically astute may notice Melville mentions Cape Girardeau, Missouri, hometown of "conservative" commentator Rush Limbaugh, the greatest Republican Party confidence man of the post-WW II era. Nice foreshadowing, Herman!
 A Classic Exploration of Trust and the Con October 3, 2006
7 out of 8 found this review helpful
Why read a book from 1857 which flopped so badly as commercial literature that Melville stopped writing and ended his career as a customs official? Because this book masterfully explores the entire nature of trust, confidence and cons. Though the setting is a riverboat on the Mississippi River just before the U.S. exploded into Civil War, its insights cross cultural boundaries.
This is not an easy book to read for several reasons. First, it is undoubtedly one of the first "post-modern" novels which breaks from traditional narrative storytelling. ( Another example: Dostoevsky's Notes From the Underground.) The Confidence-Man is a collection of 45 conversations between various people on the riverboat--beggars, absurdly dressed frontiersmen, sickly misers, shysters, patent medicine hucksters, veterans (of the Mexican-American War) and the "hero" in the latter part of the book, the Cosmopolitan.
In typical Melville fashion, you also get asides--directly to the reader, in several cases, as if Melville felt the need to address issues of fiction outside the actual form of his novel. The lack of structure, action and conclusion make this a post-modern type book, but if you read each conversation as a separate story, then it starts to make more sense.
For what ties the book together is not a story but a theme: the nature of trust and confidence. In a very sly way, Melville shows how a variety of cons are worked, as the absolutely distrustful are slowly but surely convinced to do exactly what they vowed not to do: buy the "herbal" patent medicine, buy shares in a bogus stock venture, or donate cash to a suspect "charity."
In other chapters, it seems like the con artist is either stopped in his tracks or is conned himself. Since the book is mostly conversations, we are left to our own conclusions; there is no authorial voice wrapping up each chapter with a neatly stated ending. This elliptical structure conveys the ambiguous nature of trust; we don't want to be taken, but confidence is also necessary for any business to be transacted. To trust no one is to be entirely isolated.
Melville also raises the question: is it always a bad thing to be conned? The sickly man seems to be improved by his purchase of the worthless herbal remedy, and the donor conned out of his cash for the bogus charity also seems to feel better about himself and life. The ornery frontiersman who's been conned by lazy helpers softens up enough to trust the smooth-talking employment agency owner. Is that a terrible thing, to trust despite a history of being burned?
The ambuiguous nature of the bonds of trust is also explored. We think the Cosmopolitan is a con-man, but when he convinces a fellow passenger to part with a heavy sum, he returns it, just to prove a point. Is that a continuance of the con, or is he actually trustworthy?
The book is also an exploration of a peculiarly American task: sorting out who to trust in a multicultural non-traditional society of highly diverse and highly mobile citizens. In a traditional society, things operate in rote ways; young people follow in their parents' traditional roles, money is made and lent according to unchanging standards, and faith/tradition guides transactions such as marriage and business along well-worn pathways.
But in America, none of this structure is available. Even in Melville's day, America was a polyglot culture on the move; you had to decide who to trust based on their dress, manner and speech/pitch. The con, of course, works on precisely this necessity to rely on one's senses and rationality rather than a traditional network of trusted people and methods. So the con man dresses well and has a good story, and an answer for every doubt.
The second reason why Melville is hard to read is his long, leisurely, clause upon clause sentences. But the book is also peppered with his sly humor, which sneaks up on you... well, just like a good con.
A book and edition which redefine "fabulous" April 19, 2006
3 out of 5 found this review helpful
As Melvillians will know (and as new readers will discover), this is an astoundingly modern work in the guise of an 'older' style. Re-reading it in this new edition is especially rewarding: abundant and illuminating notes, essays, and reviews in a beautifully produced book make for a very rich reading experience -- I got much more out of this reading than from earlier encounters with other editions. Highly recommended.
The Confidence Game: From All Angles January 26, 2006
12 out of 16 found this review helpful
"The Confidence Man" was Melville's last novel. Like all his novels except "Moby Dick" it was a commercial failure. It is purported to be Melville's personal favorite of his own creation.
Melville takes a very special position in this book. He is an active author who directly interacts with the reader. The book is especially intricate and disguised. Melville tried to show the `Confidence Game' from all angles. He illustrates those performing the game, those who are victims of the game, and those who are just side players in the game.
In a brilliant fashion, Melville creates his text in such a way so as to leave the reader wondering just who is the player and who is the victim. He recognizes that his uniquely obtuse style in this book is particularly nebulous to the reader. In a technique that is rarely used by any author, Melville directly addresses the reader in two chapters. His words help the reader reach the conclusions that are elucidated.
In the book, Melville seems to try to explain the essence of the Game; in a very interesting manner. He seems to be saying that `All people are seeking confidence. They are either seeking self-confidence, or they are seeking the confidence of others, or they are preying on other people's confidence.' With this basic premise, Melville shows how the Game is executed and how manipulative it can be. There is no lack of the psychological in this book. Melville writes almost exclusively about the mental machinations that are utilized to play the Game effectively.
The book is highly recommended to those who are interested in the workings of the human mind and how those operations can be persuasive and even dangerous. It is a true classic in every sense of the word. It should not be overlooked.
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