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 Location:  Home » Books » History & Criticism » Berthe Morisot  
Berthe Morisot
Berthe Morisot
Author: Anne Higonnet
Publisher: University of California Press
Category: Book

List Price: $26.95
Buy New: $22.91
You Save: $4.04 (15%)



New (13) Collectible (1) from $22.91

Avg. Customer Rating: 4.5 out of 5 stars 3 reviews
Sales Rank: 579369

Media: Paperback
Number Of Items: 1
Pages: 240
Shipping Weight (lbs): 0.9
Dimensions (in): 8.8 x 6.2 x 0.6

ISBN: 0520201566
Dewey Decimal Number: 759.4
EAN: 9780520201569
ASIN: 0520201566

Publication Date: June 8, 1995
Availability: Usually ships in 1-2 business days

Also Available In:

  • Hardcover - Berthe Morisot
  • Paperback - Berthe Morisot
  • Paperback - Berthe Morisot (Rizzoli Art Series)
  • Hardcover - Berthe Morisot

Similar Items:

  • Berthe Morisot
  • Impressionist Quartet: The Intimate Genius of Manet and Morisot, Degas and Cassatt
  • Berthe Morisot: Impressionist
  • Mary Cassatt: A Life
  • Berthe Morisot, the Correspondence With Her Family and Friends: Manet, Puvis De Chavannes, Degas, Monet, Renoir, and Mallarme

Editorial Reviews:

Product Description
Of the six Impressionist painters whose first exhibition scandalized and fascinated Paris in 1874, Berthe Morisot was the only woman. She reached a pinnacle of artistic achievement despite the restraints society placed on her sex, adroitly combining her artistic ambitions with a rewarding family life. Anne Higonnet brings fully to life an accomplished artist and her world.


Customer Reviews:

3 out of 5 stars Get to Know this Complex Woman   January 23, 2002
 4 out of 6 found this review helpful

Berthe was obviously an anomaly in her day and age... and, being self-deprecating and reticent, might've actually wished to be forgotten. She WAS literally forgotten for many years after her death. I am grateful to Ms. Higonnet for writing the book, but I felt throughout the reading that, although it was obvious Ms. H. admired Berthe, she didn't truly understand her. It bothered me that most of the book was about OTHER people, although her life DID seem to be about OTHER people. Berthe was generous and hidden, yet daring and "out there." It was probably very difficult to find the true Berthe. She was obviously very much beloved by the other Impressionists and her contributions as the catalyst of the group were immeasurable. But I wanted to know more. I didn't like it that each time she had an accomplishment, it seemed to be overshadowed, in the biography, by moving on to the accomplishments of one of the other more luminous figures in her world. Berthe was beautiful, dedicated, a wonderful mother and wife... after years of pressure by society and her own parents whose biggest fear was that she was to stay a "spinster" (who the HECK invented that word???)... I really felt for Berthe. But was she bulimic? Was she anorexic? What WAS the true nature of her mental challenges? I'd like to have seen some more of that area explored - as it has been so deeply investigated in the case of Vincent van Gogh. Whatever her maladies, we've got to admire the fact that she, unlike Mary Cassatt, DID have it all - career, family, home life, social recognition... and balanced it all so beautifully. But I wished Ms. Higonnet had given us just a bit more to grasp onto.


5 out of 5 stars Berthe Morisot   October 30, 2001
 2 out of 8 found this review helpful

GREAT BOOK!! I bought this book used from That Book Lady,
I recieved the book promptly and it was in excellent condition.
The book has wonderful information on Berthe Morisot.



5 out of 5 stars Thorough and perceptive   June 14, 2001
 10 out of 11 found this review helpful

My first reaction to Anne Higonnet's biography of Berthe Morisot was that it was a bit stiff. I had recently read Dominique Bona's "Berthe Morisot: Le secret de la femme en noir" and found that book to be well done, even though lacking documentation and even though indulging in "maybe it was like this" speculations from time to time. But I very much liked Dominique Bona's informal style, referring to Berthe Morisot as "Berthe", while Anne Higonnet almost always refers to her as "Morisot" (a small issue but one that is quite representative of the stylistic difference in the two biographies).

Of course, Anne Higonnet's work is more than 10 years older than Dominique Bona's, so that Dominique Bona reaped the benefits of reading Anne Higonnet's book. And there are many benefits to be had. Anne Higonnet has done a superb job of researching direct and indirect and even background sources to fill in the picture of Berthe Morisot's life and setting.

Sometimes Anne Higonnet's presentation creates a distance: emotional connection is lost amid the cultural history. But overall, this is a fascinating "MUST" book for anyone who wants to understand Berthe Morisot's painting, persona, and life.

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