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 Location:  Home » Books » Criticism » Toward a People's Art: The Contemporary Mural Movement  
Toward a People's Art: The Contemporary Mural Movement
Toward a People's Art: The Contemporary Mural Movement
Authors: Eva Cockcroft, John Pitman Weber, James Cockcroft
Publisher: University of New Mexico Press
Category: Book

Buy Used: $38.88





Sales Rank: 1221234

Media: Paperback
Number Of Items: 1
Pages: 384
Shipping Weight (lbs): 1.4
Dimensions (in): 9.1 x 6.2 x 1.1

ISBN: 0826319327
Dewey Decimal Number: 751.730973
EAN: 9780826319326
ASIN: 0826319327

Publication Date: December 1998
Availability: Usually ships in 1-2 business days
Condition: Minor wear--no writing or highlighting. A very interesting book. Comes with Delivery Confirmation. Inscribed by the author.

Also Available In:

  • Unknown Binding - Toward a people's art: The contemporary mural movement
  • Paperback - Toward a Peoples' Art
  • Unknown Binding - Toward a people's art: The contemporary mural movement
  • Textbook Binding - Toward a People's Art: The Contemporary Mural Movement
  • Unknown Binding - Toward a people's art: The contemporary mural movement
  • Hardcover - Toward a People's Art: The Contemporary Mural Movement

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  • Philadelphia Murals and the Stories They Tell
  • The Mural Book: A Practical Guide for Educators

Editorial Reviews:

Product Description
First published in 1977, Toward a People's Art remains a classic study of the community-based mural movement that produced hundreds of large-scale wall paintings in the United States and Canada. The authors provide a comprehensive discussion of the muralists, the murals' effects on the community, and the funding these works received.

Those interested in art and social change will welcome this new edition, which represents an ongoing faith in the ideal of participatory democracy as the best way to confront the nation's social problems and in the potential of activist art to have long-term social impact. The introduction describes the era-the late 1960s-and a new afterword looks at the 1980s and 1990s and the continuing commitment to the community-engaged process of making public art.

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