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| The Last Window-Giraffe | 
| Author: Peter Zilahy Creators: Lawrence Norfolk, Tim Wilkinson Publisher: Anthem Press Category: Book
List Price: $22.95 Buy New: $14.51 You Save: $8.44 (37%)
New (18) from $14.51
Avg. Customer Rating: 2 reviews Sales Rank: 1356741
Media: Hardcover Number Of Items: 1 Pages: 130 Shipping Weight (lbs): 1.1 Dimensions (in): 9.4 x 6.5 x 0.7
ISBN: 1843312840 Dewey Decimal Number: 949.7103 EAN: 9781843312840 ASIN: 1843312840
Publication Date: March 10, 2008 Availability: Usually ships in 1-2 business days Condition: Brand New, Perfect Condition, Please allow 4-14 business days for delivery. 100% Money Back Guarantee, Over 1,000,000 customers served.
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Product Description
This book is about the madness of everyday life under a dictatorship. It shifts in theme and time, testing the borderlines of prose and poetry, fiction and non-fiction, history and autobiography – all in the unassuming guise of a child’s ABC. The Last Window–Giraffe is a playful and personal journey through the political unrest of the seventies and eighties. It was inspired by a Hungarian children’s dictionary, entitled Window–Giraffe, which explained the whole world in simple terms; a world where everything was in order and all problems were easily solved. Popular across Europe for the best part of a decade, The Last Window–Giraffe is a politically infused rendition of the original: quirky, astute and powerful. PAter Zilahy draws on his travels around the asoft dictatorships’ of Eastern Europe, offering his acerbic observations on the often bizarre spectacle. In one instance he describes the carnival-like protests against the Milosevic regime in Belgrade simply and humorously. This reflects, like the format of the book, the manner in which the regime treat their people like children. Filled with his own striking photographs, Zilahy gives fascinating insight into a whole other universe behind the Iron Curtain. The Last Window–Giraffe is one of the most unusual, beguiling books you will ever read.
Book Description
This book is about the madness of everyday life under a dictatorship. It shifts in theme and time, testing the borderlines of prose and poetry, fiction and non-fiction, history and autobiography – all in the unassuming guise of a child’s ABC. Filled with his own striking photographs, Peter Zilahy gives fascinating insight into whole other universe behind the Iron Curtain. The Last Window–Giraffe is one of the most unusual, beguiling books you will ever read.
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| Customer Reviews:
My First Giraffe April 19, 2008 1 out of 1 found this review helpful
This is a fantastic read. The language is beautiful, a great translation, and it's great to look at, too, full of the author's own photographs. The interesting thing is: you can read it on many levels, and it's definitely worth re-reading it because each time you begin to see more and more connections and layers. Nothing is what it seems at first glance. And that is also what the author is trying to tell us, I guess. It has a powerful flow that takes you in. Sometimes you don't know if you should laugh or cry. For me, that's the best kind of humor. Another strong point is that even though much of the action takes place in Serbia, during the demonstrations in the nineties, somehow it becomes universal, even if you don't know much about the events or the culture of the region. Because besides being a lot of fun, the book deals with major issues such as innocence, freedom, identity and hope. I definitely recommend The Last Window- Giraffe, there's something for everyone in this book. Here is a description of the bullet-ridden walls of the author's hometown: 'We climbed walls, stuck our fingers into the holes and with our eyes shut tried to imagine the bullets. A Braille modern history of Budapest - a city that cannot be seen by the eye, only felt with fingers, read between the lines: house-wallsized hieroglyphs, epic and lyric variations, wartime graffiti, crude erotic messages, an inside-out archive.' I hope to see many other books by this writer in translation!
"written by a journalist with the pen of a poet" April 9, 2008
So Peter Esterhazy describes Peter Zilahy and this fascinating book. Zilahy describes a stage in Yugoslavia's post Communistic disintegration, and in particular the anti-Miloevic protests in Belgrade 1996-1997.
Zilhay describes the chaos of the period using the structure of an ABC primer for young Hungarian children. The Hungarian words for 'window' and 'giraffe' are 'ablak' and 'zsiraf', respectively, and are the first and last words of a famous Hungarian school-primer.
Zilhay explains: "'The Window-Giraffe' was a picture book from which we learned to read when we didn't know how. I already knew how by then, but I had to learn anyway, because what else was school for." He was struck by how a dictionary "juxtaposes words that you never find together in real life", and uses it as an effective symbol for the era.
The book is illustrated with children book pictures and snapshots taken by Zilhay himself, each with a bite of its own. (Zilahy.net presents several of the images.) The entries jump from one era to another with very little order imposed by the alphabet. In fact, Zilahy's structure demonstrates his view that every attempt at creating order in Belgrade at the time is artificial and arbitrary.
A few quotations will give you a flavor of Zilahy's writing:
"If the US is a human melting pot, then Eastern Europe is a scrap yard. There is a little of everything here -- but not enough of anything."
The favorite song of the protesters is based on a pun on the Serbian words for "voice" and "vote". "MTV have made a clip from it."
"The riot police come by bus with packed lunches, like a bunch of tourists from the countryside. After a quick city tour, they form a cordon, march down the Road of Revolution, and barricade Republic Square. Bobby-soxers pin flowers on their shields and offer them cakes. It gets smeared all over their visors."
"The cops chat amiably with old partisans, joke with students, show girls their gas masks. Five minutes later they send them running in all directions: an order had come in over the radio. An invisible hand twirls a rubber truncheon, pressing my head against the wall. Then, just as suddenly the cordon melts away. There's no knowing if they're heading somewhere else, or just that the daily allowance has run out, since they are paid by the hour."
"I'm having a drink with a Croat and a Bosnian and my two Serb mates. We converse in English and swear in our respective mother tongues. We reminisce about a sunken country where the stars were red, the girls were roses, the young men were fiery, and the mountain goatherds swifter than mountain goats."
Zilahy and the chaos of Belgrade come through loud and clear in this wonderful memoir.
Robert C. Ross 2008
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