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| No Reservations | 
| Category: Movie
This item is no longer available
Avg. Customer Rating:  71 reviews
Sales Rank: 5114
Rating: PG (Parental Guidance Suggested)
Media: Video On Demand
Running Time: 105 minutes
ASIN: B0013BOS6W
Theatrical Release Date: July 27, 2007
Release Date: August 8, 2008
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| Customer Reviews: Read 66 more reviews...
 great I love this film October 7, 2008
this is a film about a woman (Kate) who is the head chef at this fancy restaurant. She is completely engulfed in her career. That she barely took time to sleep, much less stopping to smell the roses. That is until her sister and niece come to visit. But on their way there is a horrible car crash and the only survivor is her niece Zoe. Zoe, helps Kate learn to stop and smell the roses that life has to offer. And Kate helps Zoe learn to live with out her mother. And by never forgetting her mother Zoe realizes that life goes on.
Sweet Version Of "Hell's Kitchen." Poignant, Touching And Heartwarming. October 3, 2008
From director Scott Hicks comes a sweet story about love, loss and fire in the kitchen. "No Reservations" starring Catherine Zeta-Jones, Aaron Eckhart and Abigail Breslin is a family version of the FOX TV hit "Hell's Kitchen." I half expected Chef Ramsay to come out and begin cussing everyone out. I loved this tender romance film. Coincidence that I saw this movie a week or two before "Waitress," a similarly-themed movie? I don't think so. While "Waitress" had some rougher language, this movie has a mild use of "Hell." The scene where Nick was singing "Nessun Dorma" from Giacomo Puccini's final (and unfinished) opera "Turandot" brought back vague memories for me. Great film. Rated PG for thematic elements.
 What a sad copy of a tasteful original September 22, 2008
1 out of 1 found this review helpful
The original - Bella Martha - is a very tasteful (not superior but touching) German movie with actual people, somewhat melancholic but still a comedy (the soft, melancholic humor suits the story so much better than slapstick humor). Don't watch this, get the original. When comparing these two versions of the same story (in every detail), you can see a vast difference which, for me, lies mostly in the "reality" of the movie. In "Bella Martha" I "buy" it, the characters, the plot, the setting. In "No Reservations" it's all fake and funny, funny, funny.
Lugubrious Hybrid of the Food Network and Lifetime Makes for an Attractive But Bland Movie September 15, 2008
2 out of 2 found this review helpful
Despite what I recall of the advertising campaign last year, this soft-hearted 2007 film is far less a Food Network-derived romantic comedy than a Lifetime-oriented drama about grief and work/life balance. Directed by Scott Hicks (Shine) and written by first-timer Carol Fuchs, this film offers the most insightful peek into the workings of an upscale Manhattan restaurant since 2000's Dinner Rush (i.e., if you don't count last year's CGI-generated, French food-fest, Ratatouille), but it also seems intent in splintering the story between the romantic sparks between the co-stars and the unexpected relationship that a single aunt forms with her orphaned niece. The result is heartwarming but rather diluted considering the potential inherent in the material presented. Hicks and Fuchs also seem intent on inserting predictable cliches along the way to reinforce the formulaic approach taken with the story.
Basically a remake of the 2001 German comedy, Mostly Martha, the plot centers on perfectionist chef Kate who runs a tightly efficient kitchen in a chic SoHo bistro. As a resolute overachiever, she is able to get up before dawn to get to the fish market and stay late at the restaurant making her impeccably presented dishes until closing. So tightly wound is Kate that restaurant owner Paula forces her to see a therapist to address her supposedly difficult personality. This is the first of several disconnects I had with the film as Kate strikes me as demanding but not particularly abusive to her staff. Regardless, her life is turned upside down by the sudden death of her sister and the addition of her niece Zoe to her structured life. As if that wasn't enough, Paula has hired Nick, a rowdy opera-loving sous-chef, to partner with Kate as she struggles with her personal transition at home. Taking a number from the Tracy-Hepburn manual for romantic comedy, tempers flare as do sparks. Zoe's recovery from her mother's death becomes a complicating factor, but the rest of the story plays out basically how you would presume.
More interesting in edgier, less sympathetic roles, Catherine Zeta-Jones plays the icier aspects of her role well, but she is markedly less arresting when her character turns warm and gooey. The script also doesn't really respect her character much since she is made to look overly foolish and insensitive in her early scenes as a struggling mother figure. Aaron Eckhart seems to be playing more of a plot device as Nick, but he does it well, and the requisite sparks occur with Zeta-Jones. Cornering the market on playing put-upon children, Abigail Breslin is fine as Zoe, even though she has to be glumly depressed for much of the film. The usually more dimensional Patricia Clarkson plays Paula as a surprisingly brittle, opportunistic character, while Bob Balaban isn't given much to do at all as Kate's therapist but act as a bromide. Stuart Dryburgh's autumnal cinematography makes all the food look good, the stars as well, and minimalist composer Philip Glass, of all people, provided the unobtrusive soundtrack dominated by Puccini, Verdi, and Flotow arias. The most significant bonus item on the 2008 DVD is a twenty-minute episode of the Food Network's Unwrapped which includes interviews with the film's stars and the real chefs who concocted the dishes in the movie.
 Lacklustre September 12, 2008
I like both Catherine Zeta-Jones and Aaron Eckhart but they don't come across well in this film. She's stiff and unlikable, and he just doesn't fit the role of a passionate, opera-loving chef. Neither actor is helped by the fact that this movie isn't quite sure what it wants to be. It jumps haphazardly from drama to cliched scenes of pillow fighting and a particularly banal clip of a desperate Zeta-Jones interviewing a quick succession of odd looking people for a chef's job, which I assume was meant to be funny. Frankly I'm surprised it's tagged as a romantic comedy as there was very little to laugh about or find lovey dovey, although I did I cringe a few times.
I watched this movie on cable and I'm glad I never paid for the privilege. It's predictable Hollywood guff.
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