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| Clyfford Still | 
| Author: David Anfam
Creators: Neal Benezra, Brooks Adams, Demetrion
Publisher: Yale University Press
Category: Book
List Price: $60.00
Buy New: $42.40
You Save: $17.60 (29%)
New (13) from $42.40
Avg. Customer Rating:  4 reviews
Sales Rank: 483826
Media: Hardcover
Number Of Items: 1
Pages: 160
Shipping Weight (lbs): 3
Dimensions (in): 11.8 x 10 x 0.7
ISBN: 0300089694
Dewey Decimal Number: 759.13
EAN: 9780300089691
ASIN: 0300089694
Publication Date: June 1, 2001
Availability: Usually ships in 1-2 business days
Condition: Brand new item. Over 3.5 million customers served. Order now. Selling online since 1995. Few left in stock - order soon. Code: Y20080902150835E
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Book Description
Clyfford Still (1904-1980), best known for his compelling abstract works with jagged fields and powerful expanses of color, stands among the giants of post-World War II art. Together with his peers Jackson Pollock, Mark Rothko, and Barnett Newman, Still helped shape the new vision of art that came to be called Abstract Expressionism. This vividly illustrated book presents more than thirty of Still's greatest works, paintings that represent the full flowering of his style. The contributors to this volume explore various aspects of Still's art, his accomplishments, and the Abstract Expressionism movement. David Anfam presents an overview of Still's career from the 1930s through 1950s. Brooks Adams examines Still's artistic legacy and influence on succeeding generations of artists. And Neal Benezra's chapter focuses on a provocative, unexplored element of Still's studio practice: his habit of painting replicas of many of his own works. This book accompanies an exhibition at the Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D.C., from 21 June through 16 September, 2001. The exhibition will offer an unprecedented opportunity to view outstanding examples of Still's work, many of which have not been on public display for decades.
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| Customer Reviews:
An in-depth study of an elusive artist April 1, 2007
3 out of 3 found this review helpful
An excellent catalogue written by leading authorities on a great artist whose unique body of works has remained hidden in the estate (only about 150 paintings are scattered in public and private collections), and who, as a consequence has been neglected by the general public. It is the only such publication on Clyfford Still to be published since the late 1980's and I strongly recommend it to any art lover interested in the Ab-Ex movement.
From a Recent Still Convert November 16, 2001
12 out of 16 found this review helpful
A few of my favorite painters are contemporaries of Still, so I saw it as my duty to see the Hirschhorn exhibition. Well, I picked a dead day and had the show to myself and simply put I am now a fan. The book is great and David Anfam's addition to the book is especially enlightening about the work of Still.
From a new Clifford Still fan: November 1, 2001
14 out of 15 found this review helpful
I am a painter who has largely avoided Clifford Still but this book has turned me into a great admirer. Particulary influential was the contribution by David Anfam, the art historian who was responsible for the magnificent, award-winning Mark Rothko catalogue raisonne. Anfam's essay is insightful, far-reaching, beautifully written with poetic underpinnings, a pleasure to read. All you'll ever need to know about Clifford Still, his work, and his place in art history is covered in this essay. The color plates are also wonderful and, even as reproductions, offer a great chance to appreciate the paintings.
Clyfford Still July 3, 2000
16 out of 19 found this review helpful
Clyfford Still is one of the giant figures of the art world and this book puts his paintings in a proper perspective. The book contains many color reproductions of his large non-objective canvases. Still himself wrote the book and gives us a very good insight into his life and thinking process. He discusses what went into his paintings and how his unique canvas numbering system worked absent dates and titles to identify his work. It is also a journey through his body of work. His paintings were skillfully balanced with positive and negative spaces and his unparalleled use of color is well documented. This book is a must for any art lover in general and for students of American art in particular. I liked this book not only for the well reproduced paintings in color but also because it let's us into the painter's mind to get a glimps of his true genius.
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