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| The Best American Comics 2006 (Best American) | 
| Creators: Harvey Pekar, Anne Elizabeth Moore
Publisher: Houghton Mifflin
Category: Book
List Price: $22.00
Buy Used: $2.22
You Save: $19.78 (90%)
New (59) Collectible (2) from $4.62
Avg. Customer Rating:  6 reviews
Sales Rank: 51617
Media: Hardcover
Edition: 1st
Number Of Items: 1
Pages: 320
Shipping Weight (lbs): 2.2
Dimensions (in): 9.3 x 7.2 x 1.3
ISBN: 0618718745
Dewey Decimal Number: 741.56973
EAN: 9780618718740
ASIN: 0618718745
Publication Date: October 11, 2006
Availability: Usually ships in 1-2 business days
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Product Description
The popularity of the graphic genre continues to rage, and The Best American
Comics is a diverse, exciting annual selection for fans and newcomers
alike. The inaugural volume includes stories culled from graphic novels,
pamphlet comics, newspapers, magazines, mini-comics, and the Web.
Contributors include Robert Crumb, Chris Ware, Kim Deitch, Jaime Hernandez, Alison Bechdel, Joe Sacco, and Lynda Barryaand unique discoveries such as Justin Hall, Esther Pearl Watson, and Lilli CarrA.
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| Customer Reviews: Read 1 more reviews...
Well Worth Having Despite Pekar June 20, 2007
5 out of 10 found this review helpful
I'm a big fan of comics, graphic storytelling, sequential art, whatever you want to call it, so I was psyched to see the form added to the "Best American" series. This inaugural edition is beautifully produced, with lovely printing, paper, binding, etc. -- equal to the top notch stuff put out by Drawn & Quarterly and other high end indie comics publishers. The contents follow the regular "Best American" series guidelines (published in North America between 1/1/04 and 8/15/05), and its shortlist of 150 candidates was assembled by Punk Planet coeditor Anne Moore. From that list, celebrated comics auteur Harvey Pekar selected his thirty favorite.
With that in mind, the book's true title should probably be "Best American Indie Comics" or "Best American Alternative Comics", since not a single piece from a mainstream comics publishing house is represented. Granted, indie comics need all the help they can get, but this narrow vision is a major flaw. Pekar is very up front about his bias: "...superhero comics still form a division of the science fiction genre, which should not dominate comics any more than they do pose books, film, or television, all versatile forms of expression. While there is no realistic movement in straight [ie. "superhero"] comics, there is one in alternative comics. Realism has been so important in the novel, theater, film, and visual arts. How can mainstream [ie. "superhero"] comics ignore it and other movements that flourish in other art forms? Mainstream comics greatly ignore the medium's potential." While I'm not personally a fan of most superhero comics (give me Joe Sacco or Adrian Tomine any day), this is stunningly ill-informed statement, and especially disappointing coming from someone who ought to know better. Instead of the open-mindedness of a truly alternative scene, Pekar appears intent on invoking some quasi-Maoist criteria of what is truly worthy.
Leaving aside whether or not genre distinctions are even useful labels anymore, Pekar reveals a total and complete ignorance of the state of the non-alternative comics scene. Never mind that many superhero storylines have been thinly veiled critiques of the "real" world, a quick glance at the catalogs of major publishers will reveal all manner of non-"science fiction" material, such as crime, romance, western, etc. Moreover, some of those "movements" he believes superhero comics are ignoring, have been well-embraced by (notably, postmodernism) -- not to mention plenty of artistic innovations. It'd be interesting to know if Moore included any of those in her shortlist of 150. Unfortunately, Pekar appears to be harboring some kind of bitter 1960s vision of mainstream comics, one totally at odds with reality. Pekar's generational bias further shows through in the inclusion of a number of older artists, whose work simply doesn't connect with me at all such as Robert Crumb (yes yes, I _know_ he's a genius), Lynda Barry, and Gilbert Shelton.
That major caveat aside, this is a pretty nice mix of material, although if you've been following alternative comics for the last few years, you'll be seeing some familiar stuff, including usual suspects like Jessica Abel, Jaime Hernandez, Chris Ware, Ben Katchor, Alison Bechdel, and Ivan Brunetti (Notable omission: Tony Millionaire). Highlights include David Heatley's weirdly captivating collection of vignettes about his father, Rebecca Dart's surreal and structurally innovative "Rabbithead", Joe Sacco's ridealong with Marines in Iraq, Lily Carre's novel take on Paul Bunyan, Joel Priddy's hilariously sad take on superheroes "The Amazing Life of Onion Jack" and Jesse Reklaw's memoir via felines "Thirteen Cats of my Childhood." As a whole the anthology is a bit heavy in memoirs and stories which read like memoirs. For example, I wasn't as enamored with Justin Hall's lengthy story of a bus trip in Mexico "La Rubia Loca" or Jonathan Bennett's "Dance with the Ventures" felt pretty derivative, and the excerpt from Alex Robinson's novel Tricked didn't do much for me either.
Overall, this is quick way to get a sense of the possibilities offered by the form (recognizing that you're only seeing the "alternative" angle). There's a broad range of technique and storytelling style. It is true that, as someone else pointed out, that those pieces which have a political angle invariably take a liberal viewpoint. Doesn't bother me, but others may find it tiresome. It's worth pointing out that buried in the contributor bios in the back are "artist's statements" about each peace, some of which provide some interesting context. Overall, a great value and well worth having despite Pekar's limited perspective.
Where is Spiderman and The Hulk??? April 23, 2007
2 out of 7 found this review helpful
I guess these were OK comics... they seemed a little depressing. Where is Spiderman and The Hulk? What could be more "American" than Captain America... or Aquaman? Where are they?
But seriously.... hats off to the Best American series for starting a The Best American Comics annual to their already great The Best American series. (My favorite being The Best American Nonrequired Reading). Hopefully they will continue this annually with more and more great comics that maybe don't make it into mainstream hands.
 The Best American Comics 2006 January 12, 2007
0 out of 6 found this review helpful
My artist daughter requested this as a gift and has enjoyed it immensely.
A mixed bag, redeemed by a handful of very strong contributions November 16, 2006
12 out of 14 found this review helpful
The Best American Comics 2006, edited by Harvey Pekar and Anne Elizabeth Moore, is something of a mixed bag. The physical components are top notch, so this collection will look very nice on the bookshelf. Also, there is a nice variety of techniques and styles in the offering. In this respect, it is probably a good representation of the state of American comics today. On the downside, I feel that there is a bit too much filler in this volume.
Make no mistake, Pekar and Moore deserve a good deal of credit for this work. Several of the stories are extremely good. Among these, I would include Complacency Kills by Joe Sacco, La Rubia Loca by Justin Hall, Dance with the Ventures by Jonathan Bennett, Portait of my Dad by David Heatley, Thirteen Cats of my Childhood by Jesse Reklaw, and Walkin' the Streets by Robert Crumb. These stories are well drawn, emotionally moving, and very well written. Some of the other work, however, is simply average, or just didn't appeal to me. A small portion of the book is not very good at all, in either story or art.
One of the more questionnable offerings, in my opinion is Rabbithead by Rebecca Dart. This story is highly innovative, but it comes across as more bizarre than enjoyable. Chemical Plant/Another World by John Porcellino is another one that I found objectionable. It falls in that "slice of life" category without much meaning or substance. Fortunately, these weaker stories are in the minority.
One very admirable aspect of this work is the price. The hardbound book is an exceptional value at $22.00. When compared to the usual price of graphic novels, you get quite a lot of bang for your buck. If a reader doesn't mind some inconsistency in the quality, it's probably a good buy.
The newest addition to a best-selling 'best' series November 7, 2006
2 out of 13 found this review helpful
While The Best American Comics represents the newest addition to a best-selling 'best' series, it's a fine pick for any interested in all kinds of comics, whether they be newspaper, magazine, or pamphlets, and stands well alone for all kinds of readers. Harvey Pekar, guest editor, has written graphic novels and created an Oscar-nominated film, while the series editor Anne Elizabeth Moore has numerous editing awards to her name. Black and white and color comics alike are profiled from all kinds of artistic sources.
Diane C. Donovan
California Bookwatch
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