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| Lasso the Wind: Away to the New West | 
| Authors: Timothy Egan, Timothy P. Egan Publisher: Vintage Category: Book
List Price: $14.95 Buy Used: $1.00 You Save: $13.95 (93%)
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Avg. Customer Rating: 13 reviews Sales Rank: 306995
Media: Paperback Number Of Items: 1 Pages: 288 Shipping Weight (lbs): 0.3 Dimensions (in): 7.8 x 5.1 x 0.6
ISBN: 067978182X Dewey Decimal Number: 978 EAN: 9780679781820 ASIN: 067978182X
Publication Date: October 26, 1999 Availability: Usually ships in 1-2 business days Condition: Exlibrary book with stickers. Nice book. Delivery Confirmation in U.S.A. Sorry unable to ship to prisons.
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Amazon.com The American West has always been as much a symbol as a location; as much a myth as a destination. "If land and religion are what people most often kill each other over," writes Timothy Egan, "then the West is different only in that the land is the religion. As such, the basic struggle is between the West of possibility and the West of possession." This struggle for possession is a recurring theme in Lasso the Wind, involving individuals such as Kit Laney, the "Last Cowboy in America," who defiantly refuses to pay for grazing rights on public land; Patricia Mulroy, the head of the Southern Nevada Water Authority, who works to bring more water to Las Vegas' casinos, golf courses, and subdivisions, even if it means damming the Virgin River running through Zion National Park in Utah; and Robert P. McCulloch, a zealous developer who reassembled each stone of the London Bridge in the Arizona desert in an attempt to draw people to his contrived dream town. These 14 enlightening and entertaining essays are the result of Egan's tour of the 11 states "on the sunset side of the 100th meridian," which led him from remote villages without road access to sprawling suburbs carved out of parched earth and desert rock in an attempt to see how the history of the West--binding myths and all--has left its imprint on the West's present condition. The Pacific Northwest correspondent for the New York Times and a first-rate storyteller, Egan writes with humor and a gimlet eye, proving himself a reliable guide to a wildly diverse region on the cusp of old and new. --Shawn Carkonen
Product Description A New York Times Notable Book of the Year
Winner of the Mountains and Plains Book Seller's Association Award
"Sprawling in scope. . . . Mr. Egan uses the past powerfully to explain and give dimension to the present." --The New York Times
"Fine reportage . . . honed and polished until it reads more like literature than journalism." --Los Angeles Times
"They have tried to tame it, shave it, fence it, cut it, dam it, drain it, nuke it, poison it, pave it, and subdivide it," writes Timothy Egan of the West; still, "this region's hold on the American character has never seemed stronger." In this colorful and revealing journey through the eleven states west of the 100th meridian, Egan, a third-generation westerner, evokes a lovely and troubled country where land is religion and the holy war between preservers and possessors never ends.
Egan leads us on an unconventional, freewheeling tour: from America's oldest continuously inhabited community, the Ancoma Pueblo in New Mexico, to the high kitsch of Lake Havasu City, Arizona, where London Bridge has been painstakingly rebuilt stone by stone; from the fragile beauty of Idaho's Bitterroot Range to the gross excess of Las Vegas, a city built as though in defiance of its arid environment. In a unique blend of travel writing, historical reflection, and passionate polemic, Egan has produced a moving study of the West: how it became what it is, and where it is going.
"The writing is simply wonderful. From the opening paragraph, Egan seduces the reader. . . . Entertaining, thought provoking." --The Arizona Daily Star Weekly
"A western breeziness and love of open spaces shines through Lasso the Wind. . . . The writing is simple and evocative." --The Economist
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| Customer Reviews: Read 8 more reviews...
"Embracing the possible" in the West August 23, 2005 2 out of 2 found this review helpful
In choosing his title, Lasso the Wind, Timothy Egan establishes the ironic metaphor for his collection of essays on the New West. Here is an evasive hydra-headed monster of ranchers and cowboys, Indians and explorers, movie stars and utopian visionaries, poets and painters, politicians and poor folk. The multifarious populations are depicted in an epic struggle for identity and definition, where the frenetic forces of politics and economics have destroyed centuries of culture while laying the precarious ground for new dreams. The underlying unity of the fifteen essays that comprise this book is to be found in the historical narratives of redefinition that have made the West a land of layers and buried stories. In his early musings, Egan observes that the vastness of the land has been the source of an almost delusional sense that the land can be anything that the Newcomer wants it to be. And millions of dollars and whole populations of people would shift and groan in the wake of those impulsive creations. In time, the land itself would pose its restrictions and exert a kind of revenge. As the land became part of the United States of America, it was subject to a dizzying barrage of exploitation: digging, damming, cutting, stomping, muddying, mining, fencing, buying, and selling. Now, as these various exploits are exposed, there is a kind of enlightened potential being explored: We can persist and hold tight to old myths and visions, or embrace the new. In his summary essay on a raft trip down the American River in California, Egan sees the recent denizens of the West "Radically altering the land, living on phony myths, ignoring the best features or trying to kill them. And it is Western glory in its own fine way: a new society, with a tolerance of fledgling souls, embracing the possible." When enough folks embrace the possible over several hundred years, it's time for a writer like Egan to come around and sort through the pieces. Lasso the Wind is an attempt to do just that, and to offer a perspective from which to understand the current changes that are occurring in the West of today.
A journalist's view of the West, both jaundiced and hopeful July 26, 2003 17 out of 18 found this review helpful
I don't often read nonfiction books that make me laugh out loud, but this one did. Egan is something of a gonzo journalist, taking on the vast subject of the American West and finding in it cause for both wonder and humor. The book is a collection of 14 essays, in which the author travels to places in 11 different states, giving readers plenty of local history, descriptions of dramatic landscapes, and a portrayal of "custom and culture" that reels under colliding visions of what the West should be. At every turn, he has an eye for ironies that both reveal and entertain.After an introduction that takes place at a conference in Jackson Hole, Wyoming, he begins his journey in New Mexico and Arizona, then moves northward, swinging through Colorado, Montana, and the Great Basin states, ending in California. There is much about cowboys, cattlemen, and Native Americans. We also visit London Bridge at Lake Havasu, an ostrich ranch outside Denver, the pit left behind by the Anaconda copper mining company in Butte, the casinos of Las Vegas, and the site of an appearance of the Virgin of Guadalupe on the back of a road sign in Sunnyside, Washington. There are accounts of fishing in the Bitterroots of Idaho, river rafting on the American River above Sacramento, and hunting for Anasazi petroglyphs in the canyons of the Escalante in Utah. Meanwhile history comes alive from a colorful and sometimes jaundiced perspective in stories of the conquistador Don Juan de Onate's conquest of the Indians at Acoma in New Mexico, the massacre of a wagon train of settlers by Mormons at Mountain Meadows, Utah, in the 1860s, and the California Gold Rush. There are historical figures who make vivid appearances, including Theodore Roosevelt, John Muir, Lewis and Clark, and Brigham Young. The most affecting story is the author's retelling of Chief Joseph and the fate of the Nez Perce. Egan gives us a whirlwind trip across a vast area of the U.S. He touches on themes that are common in books about the west -- the follies and vanities of those who have defied the realities of its arid climate, laid waste to natural resources, decimated its wildlife, and attempted to eradicate its native populations. While there is much to lament in what it reveals of the devastation brought by settlement of the West, it also seeks earnestly for signs that the spirit of the West still survives and can eventually thrive. I highly recommend this book as an addition to any bookshelf of Western nonfiction. As a companion volume, I also recommend Frank Clifford's "The Backbone of the World," which recounts a similar journey by a journalist across the states that lie along the Continental Divide.
A new natural history November 20, 2002 11 out of 11 found this review helpful
I am an Australian who has never been to the United States, so I might be coming at this book from a different perspective to many.I thought the writing was wonderfully evocative, both in the positive descriptions (eg. the Western landscape) and the negative descriptions (eg. the stupidity of cows). I got a real sense of the beauty of the land. I thought the social and political aspect of the book was also really interesting because it took a view of American history which doesn't assume that you know who Thomas Jefferson was, but still requires some intelligence from the reader. Rather than just rubbishing traditional Western lifestyles, Egan engages with and explores them. He then offers some possible future solutions which are interesting and seem practical. I found the way Egan combined natural and political and social and demographic history into one whole comprehensible theory fantastic.
Egan gets to the point. June 1, 2002 7 out of 9 found this review helpful
Not until after I finished Eganys Lasso the Wind did I realize how fast the book went. Egan is the rare writer who can easily combine a meaningful and entertaining story. OK then a well-written story explains why the book went fast. Or maybe the fast pace is due the fact that Egan covers some 11 western states in the span of 250 pages. The bookys tempo seems to come from someone who lives in New York, New York. I wonder if Egan has been making too many trips to The New York Times corporate office to pitch stories to his editor. Its probably not a coincidence that the author takes advantage of the yno speed limitsy to rocket through a stretch of Montana, only to get the attention of a state trooper. Driving habits aside, Egan manages to get in touch with the heart of issues that are unique to the Western states. I enjoyed really getting to see these special places through his eyes. Throughout the book, Egan sees the West with a candid and objective eye, but always remains hopeful. An excerpt from the end of the book on California really depicts Eganys thinking of the West:yBut every Westerner should look at Californiays story; as it turns out, it is their own history and the fount of most of their follies, a mirror across the Sierra. Radically altering the land, living on phony myths, ignoring the best features or trying to kill them. And it is Western glory in its own fine way: a new society, with a tolerance of fledgling souls, embracing the possible. What is different is that California has done it all faster, with more excess and greater consequence than any other Western state. To believe California is dead, then, is to believe that the West is dead, or soon will be. I cannot.y
Conventional Prejudice February 14, 2000 17 out of 39 found this review helpful
I received the book as a gift, but it only took me one chapter to wish I hadn't received it. I personally know something of what that chapter is about, and to my disappointment the author was not only inaccurate, shallow and unintelligent in his analysis, but he is solidly locked into the conventional prejudices one would expect, I suppose, from a writer for the N.Y. Times -- the typical liberal urbanite arrogance towards people who live on the land and work with their hands close to nature, people who produce the resources we depend on. The author thinks he is demolishing myths, but actually he succumbs to the latest trendy myths of his social set.
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