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| Essential Amazing Spider-Man, Vol. 7 (Marvel Essentials) | 
| Authors: Bill Mantlo, Gerry Conway, Archie Goodwin, Len Wein, Ross Andru, Sal Buscema, Gil Kane
Publisher: Marvel Comics
Category: Book
List Price: $16.99
Buy New: $3.22
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New (40) from $3.22
Avg. Customer Rating:  6 reviews
Sales Rank: 241665
Media: Paperback
Number Of Items: 1
Pages: 528
Shipping Weight (lbs): 1.3
Dimensions (in): 9.8 x 6.5 x 1.3
ISBN: 0785118799
Dewey Decimal Number: 741.5973
EAN: 9780785118794
ASIN: 0785118799
Publication Date: November 9, 2005
Availability: Usually ships in 1-2 business days
Condition: THIS ITEM IS UNUSED AND IN GOOD CONDITION. IT MAY HAVE SLIGHT SHELFWEAR BUT OTHERWISE IT IS FINE.
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| Customer Reviews:
| Showing reviews 1-5 of 6 | | NEXT » |
 Great Stuff June 13, 2007
This can hardly be considered an objective review, as this volume contains many of the first comic books I ever bought, some 30+ years ago.
Nonetheless, I have to say that the stories in this volume seem to hold up very well over the years. Gerry Conway is my favorite of Marvel's "B-List" writers (compared to Len Wein, Bill Mantlo, et al); Conway's stories zip along at a quick pace and they never seem "stagy" the way Wein's or Roy Thomas's often do.
The art, by Ross Andru, is top-notch. While Andru's artwork tends to be a little "formulaic" (i.e., similar poses and facial expressions used repeatedly), he gives you a real "sense of place"; whether Spidey is trying to relax in his Chelsea apartment or swinging over Madison Square Garden, you always know that he's in a real part of the real New York City. There's a sequence from Issue 151, where Spidey is hanging from a helicopter and watching the Shocker black out specific buildings to spell out his name over seven city blocks, that's an all-time classic.
This volume is also noteworthy for containing the original seeds of what would later be called "The Clone Saga". While the 90s Clone Saga is widely viewed as one of the worst messes ever published by Marvel, the original story -- featuring the return of Gwen Stacy and a Spidey/Parker clone -- is quite good, and builds well on the history of the characters over the previous years.
In short, this is just another great Spider-Man volume. Pick it up if you're a fan, and you won't regret it. If you're not a fan yet, start with Essential Volume 1 and work your way forward, and you'll probably be buying this one before you know it.
Will the return of Gwen Stacy mess up things between Peter and Mary Jane? May 9, 2007
6 out of 7 found this review helpful
After listening to me explain in excruciating detail the differences between "Spider-Man 3" and "what really happened" in the Spider-Man comic books by eldest daughter finally asked me, "Do you actually have all of these comic books you keep talking about?" I then proceeded to show her the 11-CD Rom Amazing Spider-Man Complete Comic Book Collection, the various "Marvel Masterworks" and "Essential Amazing Spider-Man" volumes, and all of the actual Spider-Man comic books from the "Volume 2" period. I explained that only a true Spider-Man fan is going to be able to go through the black suit, the cloning, and all the rest of the nonsense that comes from trying to tell hundreds and hundreds of stories about a comic book superhero. I was almost going to tell her that getting through the first six "Essential" collections was sufficient, but I ended up recommending this seventh volume as a good stopping point.
My ambivalence over this collection stems from the fact that there are two big strikes against the issues collected in "Essential Amazing Spider-Man, Volume 7." The first is that Gwen Stacy comes back from the dead in what would be the first major example of the cloning nonsense that eventually persuaded me to stop reading Spider-Man comic books. In the great gulf that exists between the initial trauma of Uncle Ben's death and Mary Jane's declaration that she knows Peter is Spider-Man, it is the death of Gwen Stacy that exists as a major emotional crevice in the life of our hero. Bringing back Gwen, even as a clone, belittles her death and turns it into a sick joke (although the idea that a few cells can be cloned into an adult human being with complete memories makes the idea that a bite from a radioactive spider can give you the powers of a spider [and more] a whole lot more believable). My biggest complaint against the "Spider-Man 3" movie is that they try to work Gwen Stacy into a version of the Spider-Man story where Mary Jane is around from day one as the girl next door to Peter Parker.
Gwen's return in these comic books reminds me of when they brought Spock back and the character's traumatic demise in "Star Trek II: The Wrath of Khan." At least in that instance Spock returned to his proper place by Captain Kirk's side, but that is not what happens with Gwen. The irony that as soon as Peter begins to have real feelings for MJ, Gwen returns from the dead, becomes just another part of the sick joke, especially since I do not believe the choice Peter makes. Adding insult to injury, the Jackal could not possibly be more of a third-rate Green Goblin (the Hobgoblin is the second-rate Green Goblin), and the inherent flaw built into the character so that he can self-destruct and thereby preserve Spidey's secret identity is rather lame. What really surprises me is that Gerry Conway, who decided to kill off Gwen in the first place, is the same writer who decides to bring her back, because it would have made more sense to me for somebody else to come in and try to make this work.
The second thing that makes me roll me eyes big time is the Spider-Mobile, which is clearly an effort to get young readers to go out and buy a toy because there is no way that having a vehicle is a good thing for our hero, even if the price of webbing becomes exorbitant. Batman needs the Batmobile because his ability to swing from a rope is limited, but Spider-man flies through the city with the greatest of ease because o fhis webbing. Plus he fights a whole bunch of villains (e.g., the Vulture, Doctor Octopus, the Human Fly, etc.), where he needs to get vertical and not just horizontal. So the whole idea of driving to a fight and hoping the cops do not show up and impound his stupid souped up dune buggy is pretty dumb. True, the last panel of the last issue here bids "good riddance" to the damn thing, but the Spider-Mobile was such a waste of space (Lein Wein, who takes over as writer for the title beginning with issue #151, gets credit for having our hero ditch his ride).
"Essential Amazing Spider-Man, Volume 7" collects issues #138-160, Giant-Size Spider-Man" #4-5, and Annual #10. The "big" stories feature the Punisher, Man-Thing and the Human Fly respectively. There are new villains with the likes of Mindworm (#138) the Grizzly (#139-40), Cyclone (#143), and Mirage (#156), but none of the nubies stack up against the old standards. In these issues that means Mysterio (#141-42), the Scorpion (#145-46), the Shocker (#151-52), the Sandman (#154), and Doctor Octopus (#157-59). There is also a blast from the distant past (#160) that offers an interesting reinterpretation of the lamest villain from the early days of our hero. Most of the issues here are drawn by Ross Andru, with Gil Kame and Sal Buscema each filling in for a couple of stories. I began reading "Spider-Man" with issue #62, so the art of John Romita (Sr.) has defined my ideal look for the web-head, and Andru's art has always been a tad to much in the direction of Don Heck and Frank Robbins for my taste. But ultimately my concerns are much more about the story developments than the art.
In the end I round up on Volume 7 for one reason and one reason only, and that is because this collection has the issue where Peter and Mary Jane take the fork in the road that is going to end up with them being married. So at least get through the Web-head's wondrous 150th issue and end on a good note. I might not appreciate all of Conway's twists and turns for Spider-Man, but between Stan Lee and Micahel Straczynski it is Gerry Conway who had the biggest impact on the character, so his three-plus years on the title cannot be ignored.
This collection is a treat for any Spidey fan. February 27, 2007
All right, this collection is awesome. It starts off with the Mindworm, and then goes to the Grizzly, the Jackal, Tarantula, Moses Magnum, the new Mysterio, Doc Ock, Hammerhead, and the list goes on. It also has some great guest stars such as the Punisher and the Man-Thing, and starts off one of the greatest sagas of all time, the clone saga. All in all, you should buy this collection.
 What a study of decay April 30, 2006
2 out of 8 found this review helpful
The loss of Lee/Romita (Sr) was quite apparent and noticable when the team of Conway/Andre took over and completely butchered the series. Conway's writing is yet to be developed and Ross Andre didn't quite have a style worth mentioning. He partly attempted to be a John Romita (Sr) light and came up dry. The story lines are more noteworthy. Conway killed off Gwen and explored the post Gwen era with some success. The cloning of Gwen was an interesting take but the entire Doc Ock Hammerhead idea was painfully pointless. This of course was post silverage and Marvel looked at sales over substances (Spidy sold well despite the crappy material) and didn't see the need to improve the series. Len Wein took over from Conway and improved the story line but Andre kept on. Oh what a Jim Sterako or a Steve Ditko could have done to improve the series. Sadly the Lee/Ditko/Romita/Kane magic was long gone.
A little remembered era in Spidey history April 5, 2006
4 out of 4 found this review helpful
Until a few years ago when Marvel inflicted that wince-inducting clone arc on us, this was one of the forgotten eras in Spider-Man history. Taking place after the huge events of the death of Gwen Stacey and before the Hobgoblin emerged on the scene, this era of Spider-Man is good but mostly forgettable.
The thing is-this is an era I grew up with reading in Marvel Tales and in the Spider-Man books. So, it was a fascinating journey down memory lane for me (at least the later tales) and rediscovering old friends. The stories are, for the most part, good and indicative of their era. Spidey faces some of the classic rouges gallery such as Sandman and Doc Ock and he faces down some forgettable new villains such as the Grizzly and Mirage.
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