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| No Wave: Post-Punk. Underground. New York. 1976-1980. | 
| Authors: Thurston Moore, Byron Coley Creator: Lydia Lunch Publisher: Abrams Image Category: Book
List Price: $24.95 Buy New: $15.53 You Save: $9.42 (38%)
New (39) from $15.53
Avg. Customer Rating: 3 reviews Sales Rank: 23404
Media: Hardcover Number Of Items: 1 Pages: 144 Shipping Weight (lbs): 1.9 Dimensions (in): 10.1 x 8 x 0.8
ISBN: 0810995433 Dewey Decimal Number: 781.6609047 EAN: 9780810995437 ASIN: 0810995433
Publication Date: June 1, 2008 Availability: Usually ships in 1-2 business days
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| Customer Reviews:
The definitive chronicle of the late '70s New York art-rock scene. October 2, 2008 No Wave: Post-Punk. Underground. New York. 1976-1980.Thurston Moore (Sonic Youth) and music critic Byron Cooley have created the definitive chronicle of the late '70s New York art-rock scene. Together they skillfully depict the culture, politics, and environment that formed the still-obscure and quietly influential bands of that era. The details are vast and at times daunting; all the who-dated-whoms, whens, wheres, and whys are included with factual reference points, oral histories, and extensive quotes and photography. The scene, created largely by emerging artists, was rich in photographers and creative writers, and a lot of the never-before-seen source material in No Wave is worthy of a book alone. No Wave fans, especially the art-school-leaning types, will appreciate the reproductions of Lydia Lunch fashion calendars, black-and-white behind-the-scenes photography, record covers, and concert flyers.
-from AlarmPress.com http://www.alarmpress.com/4089/book-reviews/no-wave-post-punk-underground-new-york-1976-1980/
eye candy and history July 15, 2008 2 out of 2 found this review helpful
1970's New York, a time of polemic filth and fury with displaced art kids crashing head first into the detritus to form bands without which we would have no Rapture, Yeah Yeah Yeahs or (insert a hundred names here). Framed around this incredible gathering of black & whites are interviews (conducted by the Thurston Moore and writer/editor/et cetera Byron Coley) with artists deep in the thick of said scene (i.e. James Chance, Glen Branca, Ikue Mori, Robert Quine and the ever-verbose Lydia Lunch), club owners, iconic groupies and passers-by, including Brian Eno who gives his perspective on the immortal Eno "produced" No New York compilation. Having been active participants during this era, the authors do a spectacular job of detailing the tenuous camaraderie, insular tension and the seeds of No Wave's demise. Not simply for those who know the difference between "No Wave" and "New Wave", the eye candy and history lessons make for an illuminating, universally appealing document.
Something bizarre to behold July 14, 2008 1 out of 2 found this review helpful
Best described as a mish mash of art and punk rock, the No Wave movement of the late 1970s was something bizarre to behold. "No Wave: Post Punk. Underground. New York. 1976-1980." is a look at the brief movement and those who were behind it, including James Chance and Lydia Lunch among others. Collected from oral history and interviews conducted by the authors, and enhanced with dozens of black and white photographs, "No Wave: Post Punk. Underground. New York. 1976-1980." is highly recommended for community library music collections.
Diane C. Donovan California Bookwatch
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