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| Dressed to Kill | 
| Category: Movie
Buy New: $7.49
Avg. Customer Rating: 104 reviews Sales Rank: 25648
Rating: R (Restricted) Media: Video On Demand Running Time: 105 minutes
ASIN: B000IZ2YH4
Theatrical Release Date: July 24, 1980 Release Date: November 20, 2008 (New: Last 30 Days) Availability: Usually ships in 1-2 business days
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| Customer Reviews:
Tranny Rampage! December 1, 2004 8 out of 13 found this review helpful
With shrinks like these, it's no wonder Norman Bates, Jame Gumb and the mysterious 'Bobbi' went nuts...
Annihoo, here's another 'seminal' and 'classic' and 'cult' de Palma thriller from the golden-age of Hollywood Nudity. Isn't it amazing what a dull filter and a body-double can do for middle-aged Angie Dickinson's nipples, ladies and gentlemen?
Grrr.
Tawdry faded-star vehicle for Dickinson, vacation-from-taste for Michael Caine, aspirationally good for hapless Nancy Allen, 'Dressed to Kill' is one of those so-called classics that time and technology has been very unkind to. Lacking almost any tension in its predictability (though there are two worthwhile 'jump' moments'), de Palma's trademark extreme suspense is also negated here thanks to lousy performances from Allen and Dickinson, and Caine just looks bored. Glossy and over-awed, the movie goes from bad to worse with the gift of retrospect - the 'crazy transsexual' motif having been done far better many times both before and after this release.
Lurid and voyeuristic (but not in a good, thought-provoking way a la 'Psycho' or 'Pulp Fiction'), 'Dressed to Kill' isn't interesting or fun to watch anymore, and can only be recommended to the most undemanding of film fans. It could have been great, but sadly, the 'quality' of the performances and the agedness of the premise leave it planted firmly in the bargain bin Has-Beens.
Gore, nudity, transsexuals, suspense--Classic DePalma stuff August 20, 2004 4 out of 4 found this review helpful
A sexually frustrated housewife (Dickenson) takes a trip to the local museum, where she is seduced into a romp with a stranger who purposely leaves behind one of his gloves. After awaking in his apartment she is brutally slashed to death in the elevator. Now it's up to the only witness--a high-paid hooker (Allen)--the victim's therapist (Caine, in a duo role) and Dickenson's computer junkie son to discover what this deranged, razor-weilding, wig-adorning, cross-dressing psychopath is truly after.
Sounds corny, but DePalma has an expertise with such stories, as with "Sisters" or "Obsession." The acting quality is debatably well, especially on Dickenson's part, but the thrill-ride of screams and gore is sure to keep the viewer interested untill the last wrenching scene.
Pino Donnagio's score suits the film fantastically, and one wonders why DePalma was his only employer. The museum sequence is a perfect example of how music and camera use can speak for the story.
The films of Brian DePalma have often been critiqued as Hitchcock rip-offs, except for taking the shock elements a leap further. Well, the camerawork is certainly Hitchcockian, as is the scoring--but to say that it's a rip-off, is a lie. With all due respect, it takes a certain taste to appreciate a DePalma film, and many critics do not have it.
The elevator scene--the uncut version you CAN see on the Specian Edition DVD--is pure cinematic genius. And if the techniques used in the Museum chase don't remind you of Vertigo, I don't know what will.
This film is DePalma at the top of his game, and is a MUST see for DePalma and Hitchcock fanatics alike.
Saw it, loved it, had a fit, Bought it,
--GIGI
Glossy, meaningless, and occasionally scary July 14, 2004 3 out of 7 found this review helpful
Brian de Palma knew his 1970s audience. When choosing what film to see at the cinema (if you had a choice in those days), it was difficult for many men to persuade their girlfriends to choose an out-and-out erotic movie. (The cinema scene in 'Carry On Camping' gives you some idea of the prevailing attitudes.) So, much like the Hammer movies, de Palma wrapped up the sex in a glossy horror thriller coating. Bizarrely, girls found it much easier to tell their mums that they'd be going to see 'The Texas Chainsaw Massacre' than 'Swedish Nurses Get Hot', or whatever.But watching this movie with 25 years of hindsight, when people tend to be more open about sex, you have to wonder what was the point of this film, and what was an actor as good as Michael Caine doing in it. Angie Dickinson, another highly paid actress of the era, is also in it, but frankly her death is so badly acted that you could fairly say she deserved this film. De Palma is a great user of that "Actually it was all a dream" device that we're warned to avoid in creative writing classes. So we get two dream sequences -- each with a central shower scene -- which are both flimsy excuses to get the clothes off his leading ladies (Dickinson and Nancy Allen). Despite the partial use of a body-double for Dickinson, these are attractive, gripping scenes, and probably the highlights of the movie. The less said about the geekish son and the police detective, the better. Allen's redemption from NY hooker to sleep-alone companion (in chintz night attire!) to the son is also less than convincing.
GOING UP? June 20, 2004 4 out of 6 found this review helpful
DRESSED TO KILL is very much like "Psycho" in its opening segments. Here we meet the lovely Angie Dickinson who feeling sexually unsatisfied engages in a cat and mouse game with a stranger in a museum. She ends up having wild sex with him in a cab and then off to his apartment for an afternoon of fun. That fun turns sour however when she finds a doctor's report that is disturbing in itself, and then she forgets her wedding band and so after intending to leave, she goes back up and meets..well...it's just like Janet Leigh in Psycho. Your heroine is offed in the first thirty minutes. The killing scene in the elevator is extremely disturbing and brutal, and made even more so in the unrated version. DePalma has often been accused or ripping off Hitchcock, but I don't think that's the case. Always using an imaginative twist as his fulcrum, DePalma gave us some really intense, chilling thrillers, heavy at times on sex and violence, but nonetheless, hypnotic and mesmerizing. The cast performs adequately, although Caine seems a little disinterested and Dennis Franz plays his crude cop for the hundredth time. Nancy Allen and Keith Gordon are fine, but Angie really steals the film, even if only briefly. Without any dialogue, she shows how lonely and "hungry" she is while chasing this stud around the museum. And as with Leigh, one can't help but feel sorry for their untimely demise. Not one of DePalma's best, but still a deserving thriller.
one of my all time favorites! May 8, 2004 5 out of 6 found this review helpful
One of my top ten favorite movies along with Carrie also by Depalma. i won't say too much about the story without giving too much away. basically it is about a mother, her son,a hooker, a psychiatrist, and a woman in sunglasses. These people all get caught up in a murder mystery where all is not as it seems. several scenes will have you leaping from your seat. it is interesting that in this movie and carrie depalma closes with a dream sequence. and both movies have beautiful music as well. Angie Dickenson, Nancy allen, Michael CAine all do a great job here. highly recommended. and i am not kidding that sometimes when i get on elevators i get a chill thinking about this movie. im sure i am not the only one.
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