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| The Assassination of Jesse James by the Coward Robert Ford | 
| Director: Andrew Dominik
Actors: Brad Pitt, Casey Affleck, Sam Shepard, Mary-louise Parker, Brooklynn Proulx
Studio: Warner Home Video
Category: DVD
List Price: $19.98
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Avg. Customer Rating:  209 reviews
Sales Rank: 892
Format: Ac-3, Closed-captioned, Color, Dolby, Dubbed, Dvd-video, Subtitled, Widescreen, Ntsc
Languages: English (Original Language), English (Subtitled), Spanish (Subtitled), French (Subtitled), French (Dubbed), Spanish (Dubbed)
Rating: R (Restricted)
Running Time: 160 minutes
Number Of Items: 1
Aspect Ratio: 1.66:1
Shipping Weight (lbs): 1
Dimensions (in): 7.5 x 5.3 x 0.6
MPN: WARD76373D
UPC: 012569763739
EAN: 0012569763739
ASIN: B0010DR4BO
Theatrical Release Date: 2007
Release Date: February 5, 2008
Availability: Usually ships in 1-2 business days
Condition: Disc has a few faint scratches. Case has minor shelfwear. DVD has been TESTED & PLAYS FINE. 100% guaranteed against defects. Contact us within 7 days if there is any defect, and we will gladly refund your purchase. Our standard shipping method is
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Amazon.com
Of all the movies made about or glancingly involving the 19th-century outlaw Jesse Woodson James, The Assassination of Jesse James by the Coward Robert Ford is the most reflective, most ambitious, most intricately fascinating, and indisputably most beautiful. Based on the novel of the same name by Ron Hansen, it picks up James late in his career, a few hours before his final train robbery, then covers the slow catastrophe of the gang's breakup over the next seven months even as the boss himself settles into an approximation of genteel retirement. But in another sense all of the movie is later than that. The very title assumes the audience's familiarity with James as a figure out of history and legend, and our awareness that he was--will be--murdered in his parlor one quiet afternoon by a backshooting crony. The film--only the second to be made by New Zealand-born writer-director Andrew Dominik--reminds us that Dominik's debut film, Chopper (2000), was the cunningly off-kilter portrait of another real-life criminal psychopath who became a kind of rock star to his society. The Jesse James of this telling is no Robin Hood robbing the rich to give to the poor, and that train robbery we witness is punctuated by acts of gratuitous brutality, not gallantry. Nineteen-year-old Bob Ford (Casey Affleck) seeks to join the James gang out of hero worship stoked by the dime novels he secretes under his bed, but his glam hero (Brad Pitt) is a monster who takes private glee in infecting his accomplices with his own paranoia, then murdering them for it. In the careful orchestration of James's final moments, there's even a hint that he takes satisfaction in his own demise. Affleck and Pitt (who co-produced with Ridley Scott, among others) are mesmerizing in the title roles, but the movie is enriched by an exceptional supporting cast: Sam Shepard as Jesse's older, more stable brother Frank; Sam Rockwell as Bob Ford's own brother Charlie, whose post-assassination descent into madness is astonishing to behold; Paul Schneider, Garret Dillahunt, and Jeremy Renner as three variously doomed gang members; and Mary-Louise Parker, who as Jesse's wife Zee has few lines yet manages with looks and body language to invoke a wellnigh-novelistic backstory for herself. There are also electrifying cameos by James Carville, doing solid actorly work as the governor of Missouri; Ted Levine, as a lawman of antic spirit; and Nick Cave, composer of the film's score (with Warren Ellis) and screenwriter of the Aussie "Western" The Proposition, suddenly towering over a late scene to perform the folk song that set the terms for the book and movie's title. Still, the real costar is Roger Deakins, probably the finest cinematographer at work today. The landscapes of the movie (mostly in Alberta and Manitoba) will linger in the memory as long as the distinctive faces, and we seem to feel the sting of its snows on our cheeks. Interior scenes are equally persuasive. Few Westerns have conveyed so tangibly the bleakness and austerity of the spaces people of the frontier called home, and sought in vain to warm with human spirit. --Richard T. Jameson
Product Description
Studio: Warner Home Video Release Date: 08/19/2008 Run time: 159 minutes Rating: R
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| Customer Reviews: Read 204 more reviews...
 Stunning Photography & Great Acting November 13, 2008
This is an unusual movie, especially for a modern-day-filmed western.
Brad Pitt and Casey Affleck are the "stars" of this movie but the biggest star to me was Roger Deakins, the man who photographed this film. Wow, this is beautiful! It's so stunning to look at in so many spots that there were many times I was more involved in the visuals than the story. In that sense, it reminded me of the marvelously-photographed films of Terrence Malick. Kudos to Andrew Dominik for a similar style directorial performance here.
Regarding the story, here's a warning to those who are expecting the normal western fare and want to see the usual amount of gun battles and related action scenes. This film is 2 hour and 40 minutes and there are not many "action" scenes. If you are hoping to see another "3:10 To Yuma" re-make, you will be very disappointed. This story is slow. It's a character study of Jesse James and the man who killed him, Robert Ford.
That said, I still found it a memorable film. The photography, the great acting and the uniqueness of the story were all good enough to keep me interested throughout. For once, I was glad to see James portrayed more realistically. Despite what you've seen on film in the past, this man was not a hero, folks. Sure he was a likable guy at times, and a nice father at times, too, but he was a thief and, much worse, a cold-blooded killer. You see that in this film.
I have to say I can't remember a film I've seen in recent years in which the two lead characters (James and R. Ford) were so strange and unpredictable. For that, I have to really compliment the work of Pitt and Affleck. They were amazing and kept me guessing throughout the movie. They played very complex people.
Overall, once I realized this wasn't a "shoot-em-up" western, and just sat back and appreciated the storytelling, wonderful visuals, low-key narration, fabulous sets, scenery and acting....I ended up being very impressed.
 Snow Bank November 11, 2008
The movie has a very long title. Interestingly enough, the screenplay's copyright is held by Warner Bros. This corporate screenplay was directed by New Zealander Andrew Dominik. The Australian Film Institute gave him a Best Achievement in Directing award for Chopper. If you read the title, you know what happens in the film; so Domink tries to make it interesting to watch HOW it unfolds. We get some of the flashback of the last James Gang robbery in Blue Cut, Missouri. The film comments on how powerful a figure Jesse James was -- just in case Brad Pitt wasn't able to communicate that. Pitt actually won a Golden Globe in 1995 for 12 Monkeys (Special Edition). He does a good job showing the instability & charisma of James. However, the hints and lack of explanation of the seeming attraction that James held for Robert Ford gave much of the movie its tension.
Casey Affleck's breakthrough performance as Ford earned him nominations for an Oscar, SAG award, Golden Globe, and from film societies in Chicago, Detroit, Toronto & Utah. He won awards from the National Board of Review, the National Society of Film Critics, the San Francisco Film Critics Circle & St. Louis Gateway Film Critics. His quick smile and darting eyes bounced uncertainly from seeking approval to chronic worry.
Supporting performances are also of note. Sam Shepard was nominated for a supporting actor Oscar for The Right Stuff in 1983. As Frank James, his one note is a strong one, the silent thoughtful brother. Mary Louise Parker won an Emmy in 2004 for "Angels in America" and two Golden Globes for cable TV's "Weeds." As Jesse's wife Zee, she gives presence to a role that only takes the camera by storm during the bloody climax. Sam Rockwell won a Best Actor award from the Montreal World Film Festival for one of my favorite films, Lawn Dogs, as well as a strong role in "The Green Mile." As Robert Ford's brother Charley, he plays the slow-witted but likeable guy who decides blood commands the greatest loyalty. Jeremy Renner who was in North Country (Widescreen Edition) does an excellent job as Wood Hite whose bare body gets dumped in a snow bank after itchy trigger fingers splinter the gang. Paul Schneider who had an excellent role in Lars and the Real Girl does a good job as the unstable silver-tongued gang member Dick Liddle who winds up hiding in a storage space. Garret Dillahunt whose good looks were trashed for this film plays the frightened liar Ed Miller who goes on a midnight ride with Jesse, never to return. Dillahunt had previously worked on cable TV's "The 4400" & in No Country for Old Men.
While the pacing is slow, I suppose it's expected when we already know the climax. The San Francisco Film Critic gave this a Best Picture Award. Roger Deakins won cinematography awards from the Chicago Film Critics & the Dallas/Fort Worth Film Critics. The film is visually stunning. Overall, I enjoyed the movie. I did watch about a third of it in French after watching the English, which was interesting. There are no extra features here; so it is a minimalist package on DVD worth an evening's viewing. Enjoy!
Post Post John Wayne November 6, 2008
1 out of 1 found this review helpful
The Wild West comes to life, a Post-Post, John Wayne era western, full of psychological whimsy and moody brooding. The world of the West, a wilderness with occasional towns, leaves men and women on their own to prosper and defend what they have. The outlaw essentially takes what he wants, plays god with the lives of others, and has a domestic life tinged by short life spans. The angel of death always seems to be lurking in a Victorian sort of way.
Jesse is nuts, and Ford is afraid for his own life. That's the take on the old assassination legend. Fascinating really.
Stunning acting November 2, 2008
1 out of 1 found this review helpful
This movie features some stunning acting... but not from Brad Pitt. Actually, Brad is really good in it... but Casey Affleck STEALS the show. He sould have won the Academy Award he was nominated for. The movie is a little bit too long, but never gets boring. The pacing could just move along a little faster. The acting is so great though, you kind of don't want it to end. See it and then see "Gone Baby Gone". Casey Affleck will become your new favorite actor.
 Last Train to Nowhere October 30, 2008
2 out of 2 found this review helpful
A disappointing art-house Western that languished on the shelf for two years. Despite standout performances by Brad Pitt and Oscar-nominated Casey Affleck, director Andrew Dominik's revisionist take on the legendary outlaw remains as long-winded as its title. The mesmerizing cinematography of Roger Deakins cannot redeem this 160-minute sleeping pill.
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